Horror and comedy share much in common. Both are affect-driven genres that hinge on build-up and release while helping us navigate through cultural taboos. For…
In her 2019 memoir, In the Eye of the Wild, French anthropologist Nastassja Martin grapples with the aftermath of a near-fatal bear attack in the…
Between Wes Anderson’s The French Dispatch, the seemingly never-ending V/H/S franchise, and even Yorgos Lanthimos’ Kinds of Kindness, which premiered at the Cannes Film Festival…
Larry Fessenden has co-starred in nine films between his last directorial effort, 2019’s Frankenstein riff Depraved, and his latest feature, Blackout. An elder statesman of…
Writer/director Alice Maio Mackay is 18 years old; it seems almost obligatory that this be mentioned as her third feature film, T Blockers, premieres at…
They say that comedy is subjective, but even that benign truism can’t begin to explicate the lunacy at the heart of Hundreds of Beavers. It’s…
Tseng Ying-Ting’s crime drama The Abandoned announces itself with New Year’s Eve fireworks, a pretty little ditty in the form of Yazoo’s “Only You,” and…
The words “A Shudder Original” don’t exactly convey a distinct meaning — not yet. While Shudder has released dozens of films, the platform is rather…
We all know Star Wars came out in May of 1977 and was an immediate sensation, well on its way to becoming a cultural touchstone.…
It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger film industry. As they reiterated…
In C.J. Obasi’s latest film, the small, relatively isolated village of Iyi is overseen by Mama Efe (Rita Edochie), the group’s intermediary who lives in…
Director Yamaguchi Junta’s Beyond the Infinite Two Minutes was a delightful no-budget time travel comedy that hit the scene a couple of years ago, delighting…
Allegedly an “experimental” video essay/documentary on the history of the doorbell, director Graeme Arnfield’s Home Invasion purports to be an unsettling and insightful exploration of…
One of Fantasia’s 2023 archival presentations is Jeong Jae-eun’s 2001 coming-of-age ensemble film Take Care of My Cat. The movie was a critical hit when…
The programmers at the Fantasia International Film Festival can be counted on, year after year, to assemble a strong lineup of retrospective screenings, from new…
River Director Yamaguchi Junta’s Beyond the Infinite Two Minutes was a delightful no-budget time travel comedy that hit the scene a couple of years ago,…
Jared Moshé’s Aporia is a rare thing indeed: a high-concept, hard sci-fi head-scratcher that still feels human-scaled thanks to sensitive performances and focus on familial…
Red Rooms In 2002, Olivier Assayas’ Demonlover premiered in competition at the Cannes Film Festival to a storm of controversy, eclipsed — for better or…
One or two festivals ago, who can remember which — this time of year they all blend together — this critic wrote about Nomad, Patrick…
Where the Devil Roams It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger film…
The latest in Anno Hideaki’s reimagining of classic Japanese tokusatsu stories, following Shin Godzilla, Shin Ultraman, and — depending on how you look at it…