We’ve decided to do something a little different this year for our 2019 (so far) lists; instead of a formal poll, we’re using this as an occasion to plug some of the most positive stuff that we’ve written this year, with just a few…
Austrian composer Christian Fennesz’s glitchy compositions operate like a more understated Rube Goldberg machine: every seemingly insignificant sound effect or pronounced use of reverb ultimately has some greater utility or purpose. Agora — Fennesz’s first solo album in five years — opens with a…
In an effort to reboot our music coverage, In Review Online has launched some monthly features devoted to reviewing new album releases. One such feature is Foreign Correspondent, a survey of new releases from the international music world — which, going forward, will now be published…
