Alain Guiraudie’s Misericordia begins, as so many stories do, with a homecoming. When first introduced, 30-something Jérémie (Félix Kysyl) is driving to his rural…
A cascading slant of coastal daylight betrays the futile dangers of vacation time in Durga Chew-Bose’s sensual, stilling, and elegiac rendition of Françoise Sagan’s…
Halina Reijn’s Babygirl is aware of the discourse. It’s read all the articles that have been passed around online, it knows what’s considered problematic…
Neorealist drama Bicycle Thieves said so much about our human condition and the struggle to rise above one’s dire circumstances that its main concept…
Sylvia Chang has been one of the more under-appreciated forces in international film for almost 50 years now. Beginning her career as an actress…
There’s an innate novelty to Ron Howard directing a film like Eden, and it’s disingenuous not to mention it. The filmmaker has by all…
Comparisons to Everything Everywhere All at Once seem inevitable in the early buzz on Yang Li’s Escape from the 21st Century. The TIFF program…
In a recent interview with The Hollywood Reporter, actress Kaniehtiio Horn speaks about the lack of leading roles coming her way after successful stints…
The decade-long collaboration between Sofia Bohdanowicz and Deragh Campbell has produced a fascinating cycle of films, including features and shorts, that goes some way…
Gia Coppola’s (Palo Alto) The Last Showgirl announces its intentions and approach from its first frame. We open on a tight shot of the…
Crispin Glover has long been a fixture of eccentricity and intrigue in Hollywood, carving out a niche for himself with a career — and…
No festival season rests complete without at least one recent opus by Filipino director Lav Diaz receiving due consideration, and Venice 2024 ensured this…
Göran Olsson’s Israel Palestine on Swedish TV 1958-1989 is a remarkable documentary, if not purely for its access to decades worth of newsreels, interviews,…
On the surface, Dutch filmmaker Jan-Willem van Ewijk’s Alpha. falls into the trap set out by most contemporary European festival circuit films. It’s a…
The name most likely to catch the attention of cinephiles in the credits of Shahab Fotouhi’s first feature Boomerang is co-editor Aleksandre Koberidze, who…
A tasteless trend in movie marketing to reveal titles one letter at a time transitioned seamlessly into movie-making at some point in the last…
In an early scene in Igarashi Kohei’s Super Happy Forever, Sano (Hiroki Sano) confronts a child on the beach. It’s a scene that feels…
In the opening scene of Ciro De Caro’s Taxi Monamour, the film introduces one of its two heroines in a hospital clinic: a young…