The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
Innocence and experience materialize in the poetry of William Blake as opposing forces; the former embodied within natural objects, passions and love, whereas the latter,…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Jim Jarmusch’s new horror-comedy, The Dead Don’t Die, is a missive from the other side. For one thing, it’s a zombie film in the tradition…
It’s heartening to realize that in a year of seemingly constant death—one in which the passing of great filmmakers was no exception—the best films here seemed intent on…
Our top 25 performances, before whittling it down to the 10 you’ll find below, featured votes for two actors from Manchester by the Sea, two from Toni Erdmann,…
Jim Jarmusch’s career trajectory has afforded distinct perspectives on his work, especially as that relates to the idea of a monotonous kind of living. Paterson is…
The 41st Toronto International Film Festival recently wrapped, and our writers were on hand to soak up the cinema bounty. Our first of two dispatches…
Hypnotic, elliptically opaque, and dreamlike, The Limits of Control may test the limits of Jarmusch fans calling themselves card-carrying Jarmusch fans. If Broken Flowers was…