When Rob Zombie’s House of 1000 Corpses was released in 2003 (following numerous distribution delays by its original producer Universal Studios due to objectionable content),…
“READ ME”: a visage lit in orange glow, hands, bodies, hands caressing bodies, the twinkling lights of a Christmas tree, the two words blinking mutely from a…
Writing for the New York Times in 1997, film critic Janet Maslin called Harmony Korine’s directorial debutGummo the “worst film of the year” — no small…
If the arc of the moral universe indeed bends toward justice, then there just might have been a sliver of proof in the sold-out screening…
Has there been a director so wildly prolific as Johnnie To in our modern era? Hong Sang-soo comes to mind, albeit occupying a radically different…
In 1968, Richard Fleischer democratized the participants of the crime procedural with The Boston Strangler, spearheading a new school of form as applied to the…
French auteur Jacques Rivette’s relationship to novelist Honoré de Balzac lasted throughout his entire life. His fascination first made its way into his directorial work…
In his introduction to Olivier Assayas’ autobiographical essay/memoir A Post-May Adolescence: Letter to Alice Debord, Adrian Martin writes that “Assayas has always identified himself with…
Mercy and forgiveness can be profoundly absurd things, and Bad Lieutenant, Abel Ferrara’s controversial and relentlessly gritty 1992 neo-noir thriller, grapples with that absurdity in…
It’s hard to fathom the pressure that would come with getting discovered by David Gilmour. The idea that a member of Pink Floyd would stick…
When Malcolm X, the epic biographical drama about the titular civil rights figure, hit theaters in November 1992, it came off the heels of a…
In one of Jafar Panahi’s most recent short films, Hidden, the director meets a young girl with a beautiful voice, but her very traditional parents…
As the one-dimensional cartoon Colonel Quaritch (Stephen Lang) tells his new recruits, “You’re not in Kansas anymore. You are on Pandora,” James Cameron is writing…
In September 1970, multimedia artist Michael Snow took a helicopter 160 kilometers north of Sept-Îles (“Seven Islands”), Quebec with his wife and fellow filmmaker Joyce…
The liner notes for The Chicks’ third album, Home, included a photo of a marquee with giant block letters declaring, “We are changing the way…
I’m not sure people entirely remember the film Audition. Like much of his body of work, director Takashi Miike’s breakthrough into global recognition is perhaps…
The titles of Mikio Naruse’s films were once baroque mouthfuls (Three Sisters With Maiden Hearts, Wife Be Like a Rose!), but as his own filmmaking…
“The mise-en-scène flexes emotion like you flex your muscles.” So said Bertrand Tavernier of Jacques Becker’s Casque d’or, an observation applicable to the latter’s all…
Curtis Mayfield’s soundtrack for Super Fly, Gordon Parks Jr.’s 1972 debut feature and one of the most popular and best known films of the blaxploitation…
Fifty years ago this month, the late Wes Craven premiered The Last House on the Left, a film notorious even in an era of exploitation…
The American cinema of the 1970s is a deep, deep well of intersecting delusion and pyrrhic victories, though hindsight has made it so that’s it…