The liner notes for The Chicks’ third album, Home, included a photo of a marquee with giant block letters declaring, “We are changing the…
I’m not sure people entirely remember the film Audition. Like much of his body of work, director Takashi Miike’s breakthrough into global recognition is…
The titles of Mikio Naruse’s films were once baroque mouthfuls (Three Sisters With Maiden Hearts, Wife Be Like a Rose!), but as his own…
“The mise-en-scène flexes emotion like you flex your muscles.” So said Bertrand Tavernier of Jacques Becker’s Casque d’or, an observation applicable to the latter’s…
Curtis Mayfield’s soundtrack for Super Fly, Gordon Parks Jr.’s 1972 debut feature and one of the most popular and best known films of the…
Fifty years ago this month, the late Wes Craven premiered The Last House on the Left, a film notorious even in an era of…
The American cinema of the 1970s is a deep, deep well of intersecting delusion and pyrrhic victories, though hindsight has made it so that’s…
For a brief period of time in the early-to-mid 2000s, there was perhaps no more exciting international director than Bela Tarr. Advocates like Jonathan…
There’s a wistful touch of George Bailey to the fatefully doomed protagonist of The Executioner (El Verdugo): José Luis is a Spanish undertaker yearning…
By the time Chor Yuen’s Intimate Confessions of a Chinese Courtesan released in 1972, the image of wuxia in Hong Kong cinema had changed…
Why does Carl Dreyer’s Gertrud continue to haunt? It follows from a distance and just when I think I’ve settled up — maybe three…
During the summer of 1991, cousins Robert “Bobby” Diggs and Gary Grice were trying to get busy and do the impossible. They had both…
Taking place entirely in the frigid confines of an Antarctic research lab, John Carpenter’s 1982 sci-fi horror masterpiece The Thing makes for exceptionally chilling…
On the occasion of Paul McCartney’s 80th birthday, I decided to burden myself with the unforgiving task of writing about the Beatles. After trying…
Artist and critic Fred Camper once called Howard Hawks (and I’m paraphrasing from memory here) the “hardest to define of all the classic Hollywood…
Stanley Kubrick seems like an odd filmmaker to claim as having underrated films. I’m not as great a fan as most cinephiles, but given…
Saul Bass’ poster for Otto Preminger’s Advise & Consent (1962) shows the dome of the Capitol neatly dissected from the building itself, the title…
The late ’90s and early ’00s were a blur of bright colors and bubblegum. Pop culture felt shiny and good, like the entire world…