Umut Subaşı’s debut feature, Almost Entirely a Slight Disaster, is a curious beast. In many regards, it’s quite accomplished, and displays some very decisive…
Even for those who haven’t seen Alena Lodkina’s first feature, 2017’s Strange Colours, given the quality of her new film, Petrol, it should be…
“Dostoyevsky Iranian style,” reads one positive review of Leila’s Brothers, the third feature film by Saeed Roustaee, and in a way that writer has…
Argentinian filmmaker Melisa Liebenthal’s 2019 short film, Aquí y Allá (“Here and There”), utilized Google Earth, in-film, to pinpoint the exact location where it…