For a director like Neil Jordan, whose long, seemingly middle-of-the-road filmography actually houses digressions from respectable adaptation into unrespectable pulp and soap, a Raymond…
Good Mourning isn’t the cult stoner comedy it angles to be, but there’s a welcome amiability that permeates the entire film, elevating this MGK…
Studio 666 is an obvious labor of love for Grohl and co., but one that delivers neither the necessary horror or comedy of its fan-service…
Blacklight is a low point in Neeson’s tough-guy thriller canon. At some point in the latest Liam Neeson product Blacklight, our hero, a stoic FBI…
Copshop finds Joe Carnahan at the top of his game, with the requisite violence, humor, and plot intricacies to sell this brand of genre bombast.…
Separation is yet another slog from director William Brent Bell, a logic-less and unscary bit of low-bar horror filmmaking. Director William Brent Bell has…
The Marksman is a sturdy and uncomplicated but mostly satisfying entry into the Neeson oeuvre of stoic, righteous masculinity. Another exercise in stoicism and dignified…
Honest Thief is a lazy, cheap, and deeply stupid entry in the Liam Neeson crime cinema oeuvre. With Honest Thief we have yet another entry…
So unreconstructed that it barely registers, John Hillcoat’s Triple 9 is a slickly crafted, but almost ruthlessly conventional crime thriller, winding up a handful of cops and…
Hey look, another movie about a former black-bag operator whose past moral lapses catch up to him when some former colleagues attempt to have…