Long whispered about by in-the-know cinephiles but seldom seen in American theaters, Greek director Antoinetta Angelidi’s long overdue U.S. debut comes courtesy of Prismatic Ground…
Longtime Tsai fans might recall that he officially retired from making feature films back in 2013. He must’ve been in some kind of a mood,…
One of the unique features of Emilia Beatriz’s new film barrunto is the omnipresence of sur- and subtitles, translating between Spanish and English, differentiating between…
Critic Alex Fields has called Joost Rekveld’s films “glimpses into secret patterns that underlie our physical reality.” While abstracted images engineered from analog computers are…
Audrey Lam’s Us and the Night is a film of patterns — in its geography, which functions as both an exploration of a library and…
The inaugural edition of the Los Angeles Festival of Movies closed this past Sunday with the world premiere of Conner O’Malley and Danny Scharar’s outrageous…
Antoinetta Angelidi’s filmography is composed of five films across five decades, stretching back to Idées Fixes/Dies Irae in 1977. Over the subsequent half century, Greece’s…
Before He Thought He Died (2023), a friend spoke on his misgivings about 88:88 (2016), Isaiah Medina’s hitherto best-known film, echoing sentiments that sounded familiar.…