Entering Berlin’s Gemäldegalerie, one is immediately faced with a decision. It’s a decision of considerable importance. Standing in the rotunda, one may either go…
The Sparrow in the Chimney Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider,…
Despite his increasing arthouse acclaim, Radu Jude has never been associated with a distinct stylistic stamp; indeed, he has long flitted between various formalist…
To the uninitiated, written descriptions of Radu Jude’s cinema might give the wrong impression of his films as dizzyingly dialectical exercises requiring a complete…
It’s been a particularly horny year for films. Perhaps not unnaturally; having been cooped up indoors while the viral blizzard howls outside, stoked by…
Bad Luck Banging borders on the didactic, but smartly allows its archetypes to conflate and contradict, turning its sketchbook designs into a platform for…
Uppercase Print mishmashes modes and can become a bit of a slog, but there’s enough formal playfulness to recommend it as a valuable addition to…
Capitalizing on the considerable reputation he’s earned himself at the big international film festivals over the last few years, Radu Jude heads into this…
Mona Lisa and the Blood Moon Leonardo da Vinci’s Mona Lisa is famous for its portrayal of an inscrutable facial expression, that indelible half-smirk-half-smile…
The Girl and the Spider Like their previous collaboration, 2013’s The Strange Little Cat, Ramon and Silvan Zürcher’s The Girl and the Spider is…
The 2020 Berlin International Film Festival may have closed its curtains on another year, but we’re still here talking its slate. Our third dispatch…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into…