Obex One of the least consequential but more intriguing facets of our age of technology acceleration is watching which flavor of tech nostalgia will be…
Almost as if it were made in response to John Krasinski’s IF, a saccharine fantasy about a motherless young girl who through magical contortions was able…
Blue Heron Sophy Romvari has used cinema to mine the fractured, seemingly incomplete nature of her family history since her first short film, Nine Behind.…
By 1919, 24-year-old Richard Barthelmess was already a star. He’d just played the leading man, albeit in yellow-face, in D. W. Griffith’s Broken Blossoms opposite…
The House with Laughing Windows (1976) — Pupi Avati Giallo, the popular genre of Italian horror, can in truth be many things, though it tends…
When Robert Mitchum’s Jeff McCloud declared “Guys like me last forever” in Nicholas Ray’s Depression-haunted contemporary Western The Lusty Men (1952), it was hardly the…
In “The Evolution of the Language of Cinema,” André Bazin famously argued that depth-of-field marked a dialectical leap forward in the development of the artform.…
Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider, may have felt a tension building…
The story of Souleymane (Abou Sangare), a Guinean immigrant fighting for the right to work legally in France, has lately been told millions of times,…
Greek filmmaker Athina Rachel Tsangari’s work has always defied easy classification. In Harvest, her fourth and most ambitious feature, villager accents and clothing, along with…
Athina Rachel Tsangari’s newest film, Harvest, begins on the precipice of change. Based on Jim Crace’s novel of the same name, Tsangari’s adaptation is set…
“Arkhitekton” in Greek — “master builder” in English. The world that we humans have created around us is a world of stone; cold, stoic, though…
Entering Berlin’s Gemäldegalerie, one is immediately faced with a decision. It’s a decision of considerable importance. Standing in the rotunda, one may either go forward,…
Flush Setting one’s low-budget genre film in a single setting is a time-honored tradition, a money-saving maneuver that makes for a simple calling-card exercise but…
Sham If anyone can make a great Cancel Culture movie, it would have to be Takashi Miike, right? Sham is based on a true story,…
On paper, July was — and is usually — a month earmarked for studios to make their mint, with blockbusters of varying quality demanding half…
Abortion Party Aside from the infamous “Barry Lyndon x ‘a lot’ by 21 Savage” edit that has been circulating on X since last year, the…
The confluence of factors that led to the production of Targets encapsulate the idiosyncratic period in film history it was born into: in 1968, when…
You’re probably familiar. But in case you’re not, back in 1982, relatively fresh off the success of Airplane!, creators Jerry Zucker, David Zucker, and Jim…
For a particular contingent of American moviegoer — one born in the mid-to-late 1980s, say — Happy Gilmore is something of a sacred cow. Its…
“You can’t be a spectator. You gotta take these dreams and make them whole.” After over a decade of releasing music, Pulp’s Different Class album…