Paolo Sorrentino’s Loro is art in the Age of Trump — so basically the most weak-sauce imaginable critique of a buffoonish caricature (former Italian Prime Minister Silvio…
More generationally distinctive than his recent output, Olivier Assayas’s latest, Non-Fiction, engages with a specific vein of cultural discourse regarding technology: e-books as a corruption…
Let the Sunshine In is an exquisite romantic comedy in part because its laughs are sad and its sadness is funny. Claire Denis isn’t a…
Critics out of Cannes labeled Jean-Pierre and Luc Dardenne’s The Unknown Girl “a lesser work.” If that’s the case, it just proves that the brothers are…
Mia Hansen-Løve’s Things to Come—that other film at TIFF ’16 in which Isabelle Huppert acts alongside a cat—tracks several years in the life of philosophy teacher Nathalie…
Many of the interactions in Two Days, One Night occur on opposite sides of doorways, liminal spaces echoing protagonist Sandra’s (Marion Cotillard) temporary suspension between…