Every Breath You Take is a derivative, cliché-riddled yawn that would be more at home on late-night cable than on theater screens. While its…
The Devil Below is unfortunately hamstrung by its shoestring budget and liberal cribbing of better horror properties. Being a horror fan is sometimes like taking…
Burn It All is a bona fide bit of exploitation trash, legitimately awful but enthralling in its sheer ineptitude. Contrary to popular belief, exploitation films…
Body Brokers is littered with fascinating parts, but never manages to pull it all together into a cohesive vision. There are at least four different…
Music is a generic, offensive slog that co-opts ASD in service of bland musical pomp and an imbalanced plot. Pop songstress Sia titling her directorial…
American Skin is a smug, self-congratulatory vanity project that is sledgehammer-subtle and utterly depthless. Actor Nate Parker took the 2016 Sundance Film Festival by storm…
Breaking Fast is a delicate, charming, and welcomingly chaste love story that features an old-fashioned appeal. The marketing materials for the new queer comedy Breaking…
Shadow in the Cloud holds some promise in its early genre goings, but the second half reveals an unfortunate dearth of ideas and charm. It’s…
SKYLIN3S is a wonderfully weird and wild addition to the Skyline series and a bright star of the DTV renaissance. Anybody clocking the original Skyline…
The Giant is a textbook YMMV film: an audacious, elliptical fever dream that boasts a deeply affected style executed with a surprisingly sure hand. A…
Jungleland is a deeply familiar film that injects little energy or originality into its template narrative. Max Winkler’s Jungleland follows bare-knuckle boxer Lion (Jack O’Connell)…
Proxima is a markedly incurious film, happy to diminish all complexity of its female protagonist. Alice Winocour’s Proxima is a film constructed around a single…
Ava is a generic, poorly-shot, and utterly pointless entry into the female assassin subgenre. Tate Taylor must be the most charming man in the world.…
Yes, God, Yes doesn’t say anything new about oppressive evangelical traditions but is elevated thanks to Dyer’s wonderful comic performance. Yes, God, Yes will be…
Miss Juneteenth is a delicate, gentle film arriving at a defining moment in American discourse surrounding race. Miss Juneteenth, the debut directorial feature of Channing…
The bourgeois Brooklyn of Alex Ross Perry’s Golden Exits is a “wasteland in the middle.” The film opens with an airplane flying away for somewhere…