Like numerous other films from Mainland China this year, Derek Tsang’s Better Days has traveled a troubled path from production to the screen: It was…
Takashi Miike has never been one to play it safe. With over 100 films under his belt in a little over 28 years, you would…
Ostensibly a return to the populist wuxia films of Chinese director Zhang Yimou‘s mid-2000s hayday, Shadow instead feels more like an exercise in extended foreplay.…
Yuen Woo-ping’s Ip Man “side story” is a perfectly appropriate addition to this franchise, for both better and for worse. Master Z: Ip Man Legacy serves as a direct…
Do we really need another portrait of a frustrated sad-sack young man, even if it comes in the form of one of Lee Chang-dong’s typically…
The Villainess, Jung Byung-Gil’s demented take on La Femme Nikita,—or, alternately, any number of female-driven Hong Kong action flicks—has a number of eye-popping set-pieces that…
Martial-artist and filmmaker Sammo Hung, responsible for some of the greatest films in the genre’s history (Eastern Condors, Pedicab Driver, Encounters of the Spooky Kind,…
The most admirable aspect of Wilson Yip’s Ip Man movies is their disinterest in typical biopic aspirations. Instead these films favor strong martial arts action and…
At the core of Hou Hsiao-hsien’s cinema is a deep investment in the rift formed between an independent Taiwan and a possessive mainland China. Tender stories…