Hannah Peterson’s directorial debut, The Graduates, begins a year after the end of the “before,” a definitive “conclusion of youth” event that’s alluded to,…
Among cinephiles, Guy Maddin has long reigned with the celebration and consolation of being “the most accessible avant-gardist.” Since breaking out of obscurity with…
The title of A24’s newest tragicomic offering, We Live in Time, recalls the gleeful cliché of romance films from the decade past: The Time…
Aaron Schimberg’s third feature, A Different Man, is a genre-bending character portrait of Edward (Sebastian Stan, wearing a prosthetic mask), a lonely and failed…
Nathan Silver is perhaps best known for his prodigious output, releasing nine feature films period of 2012 to 2019. His prolificness is made all…
Belgian writer-director Claude Schmitz’s third feature, The Other Laurens, is a dry-humor thriller with an existential neo-noir façade. Viewers expecting a tense, philosophical slow-burn…
The rise of A24 as a production company and distributor has seen with it the public recognition, on Tik Tok and Reddit, of the…
Covered in paint, drawn from hell, the Swedish soft-metal-theatrical-intractable band Ghost has been ascending toward the surface of mainstream pop-cultural stardom since their 2022…
Alex Ross Perry first made a name for himself in an emerging class of young New York filmmakers in the late aughts. What followed…
Don Hardy’s career as a documentary filmmaker has spanned an eclectic range of themes that are bound, in some way, by an interest in…
Writer-director Qiu Yang’s first feature film, Some Rain Must Fall, begins during monsoon season. Cai (Yu Aier) is in the midst of finalizing her…
Baseball and film aren’t so different. Both are a national pastime, and both traditionally enforce a sort of spiritual mindfulness that is otherwise associated…
In Western countries, the dailiness in those “lesser developed” ones has long been abstracted by a dearth of artistic and cultural diffusion from one…
Cordoned to a cultural temperament that favors realism, based-on-true-stories, and the animated mythologies of men and women who have walked among us, the biopic…
In light of the ongoing SAG strikes, this year’s TIFF featured a bevy of actor-directors, (generationally) ranging from Michael Keaton to Finn Wolfhard —…
In Ghosts of My Life, the late writer Mark Fisher writes, about hauntology: “Those who can’t remember the past are condemned to have it resold…
The films of Antoine Bourges are measured by their restraint. Noted for their blurring of documentary and fiction, Bourges immerses himself in under-represented places…
In his books Cinema 1 and Cinema 2, Gilles Deleuze draws a distinction between the movement-image and the time-image. The movement-image is concerned with…