Shadow in the Cloud holds some promise in its early genre goings, but the second half reveals an unfortunate dearth of ideas and charm. It’s…
With The Midnight Sky, George Clooney the director strikes again, delivering a bland, ugly film that is tedious and void of any emotional poignancy.…
A deeply idiosyncratic survey of 20th-century political and social mores, director Pietro Marcello’s Martin Eden transplants Jack London’s 1909 novel from the American West…
News of the World is a film of dangerously naïve messaging, erratic pacing, limited stakes, and little formal or technical craft to otherwise distract…
Hunter Hunter begins as a simple look at a family living off-the-grid, but quickly develops into a gory thriller that isn’t for the faint of…
Greenland does well to focus on its human center rather than CGI spectacle, but its pleasures remain mostly minor. The disaster film is a genre…
Songbird is a well-directed but otherwise bland, opportunistic bit of pablum. The press materials for the new COVID thriller Songbird spill a lot of ink…
Don’t Click is an outdated, ineptly made film in the running for Worst of the Year honors. In 1997, Michael Haneke unleashed Funny Games onto…
Anything for Jackson successfully manages the tricky balancing act of melding early comedy into outright terror. As festival season has gone mostly digital this year,…
Mosul nails its action spectacle and kinetic foundation, but it is ultimately only able to conceive of its subject matter in war movie clichés. Yet…
Make Up brings a welcome horror twinge and unsettling tenor to an otherwise familiar kitchen sink drama. There’s no shortage of coming-of-age stories out there,…
Vanguard worships at the feet of CGI and grievously wrongs the past and present of action cinema in the process. Stanley Tong was at best…
His House is a formally confident and unsettling debut that fully impresses even as it falls just short of greatness. The new Netflix horror film…
The Mortuary Collection is a gothic, expressionistic, and winning riff on a number of horror influences. Ryan Spindell’s The Mortuary Collection is an absolute blast,…
May the Devil Take You Too is a Raimi-esque bloodbath, gore-fest, and goop-show that understands how to set up and execute its thrillingly gnarly set…
The Antenna is a strange amalgam that might hold some intrigue for horror fans but is otherwise just another drab, generic Eastern Bloc allegory. Director…
Death of Me begins on a promising note, but lacks any follow-through or unique experience to warrant its making. There’s a scene early on…
Beasts Clawing at Straws is a derivative, charmless bit of Tarantino-aping nonsense. The new Korean crime thriller Beasts Clawing at Straws is a derivative, charmless…