It’s not much of a revelation to suggest that Sundance has gradually moved away from its independent roots and transformed into something more akin to…
Despite his increasing arthouse acclaim, Radu Jude has never been associated with a distinct stylistic stamp; indeed, he has long flitted between various formalist modes,…
Will Neil Marshall ever get his mojo back? After finding early success with a run of lean, mean, low-budget face-melters — Dog Soldiers and The Descent are…
After almost 20 years of shuffling through a laundry list of some of the most famous Hong Kong directors and actors, a filmed version of…
Director Alexander J. Farrell’s The Beast Within opens with a quote about there “being two wolves inside each of us,” followed by a brief but…
In his cryptic new film Whale Bones, Takamasa Oe attempts a “how we live now” exploration of disaffected youth and the aimless ennui of modern…
Nicole Riegel’s debut feature Holler was an unusually sharp bit of indie realism, an unvarnished look at economic depression in the aftermath of NAFTA via a…
2024 has so far proven to be a great year for action cinema: whatever its flaws, The Fall Guy is a paean to stuntmen and…
Mathieu Amalric is undoubtedly best known to audiences as one of the finest French actors of his generation, having maintained a fascinating career now spanning…
Vampires and their attendant mythologies have permeated pop culture for what seems like centuries; they have, at least, been a part of cinema since the…
It’s incredibly rare in our super-connected, social media-fueled media ecosystem for a new film to arrive with no notice, no awareness of which to speak,…
Read a review of any of Angela Schanelec’s feature films and you’re bound to encounter adjectives like “elliptical,” “confounding,” and “obscure.” It’s true — the…
Director Jang Jae-hyun’s new supernatural thriller Exhuma covers a lot of ground during its two-plus hour runtime; what begins as a detailed procedural gradually gives…
In his seminal 1978 film Dawn of the Dead, George Romero takes a few minutes to detail the final gasps of a television station trying…
There is perhaps no genre more worked over, commented upon, or deconstructed than the slasher; that most basic of horror staples has engendered all manner…
Writing on Jean-Christophe Meurisse’s Bloody Oranges back in 2022, InRO’s Matt Lynch described it as a “glib little attempt at satirizing The Way We Live…
Longtime Tsai fans might recall that he officially retired from making feature films back in 2013. He must’ve been in some kind of a mood,…
Critic Alex Fields has called Joost Rekveld’s films “glimpses into secret patterns that underlie our physical reality.” While abstracted images engineered from analog computers are…
In a 2021 Bomb Magazine interview with RaMell Ross, filmmaker Turner Ross articulates the method that he and his brother, Bill, utilize when embarking upon…
It’s been an extremely productive year for director Jesse V. Johnson. Our premier DTV auteur has churned out three films in the last 13 or…