Septet: The Story of Hong Kong The subtitle for Septet: The Story of Hong Kong isn’t an all that accurate reflection of the omnibus’s…
DOC NYC is back. Boasting the tagline “America’s Largest Documentary Festival,” the renown is on the tin, but it’s nonetheless always a treat to…
Despite what the joint juggernaut of social media and trade journals would have you believe, fall festival season encompasses more than just the triumvirate…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service…
The Eternal Daughter “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed,…
Showing Up Despite the steady repetition of themes that define Kelly Reichardt’s filmography (alienation, class, gender, the American West), her output has remained surprisingly…
Walk Up Walk Up is Hong Sang-soo’s trickiest film since The Day After (2017), and his most intricately structured effort since The Day He…
The New York Film Festival officially kicks off today, and as per usual, the slate reflects careful, considered programming from the team, curating a…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service…
The Banshees of Inisherin They aren’t having a row — Colm (Brendan Gleeson) just doesn’t feel like talking to his best friend Pádraic (Colin…
Dry Ground Burning Documentaries don’t get much more hybrid than Dry Ground Burning, the new film from Adirley Queirós and Joana Pimenta. It’s a…
Winter Boy Those about to eulogize reach for poetry; for anyone, mourning periods commingle, confuse, and unpredictably change one’s experience of time. But in…
The Whale Although The Whale is an adaptation of the 2012 stage play by MacArthur Fellowship-winner Samuel D. Hunter, the film tends to feel…
Glass Onion Rian Johnson’s latest stab at Wes Anderson-does-Clue has a lesser cast, a more pandering script, and a wholly phony “Eat the Rich”…
The Fabelmans Damn near every Steven Spielberg movie, in one sense or another, is about the power and the madness of making movies. So…
Padre Pio Disclaimer: It’s important to acknowledge the severity of the accusations of abuse made against both Shia LaBeouf and Asia Argento, and clarify…
Sandwiched in the middle of the late-summer/early-autumn run of major international film festivals, coming on the heels of Locarno, Venice, and Telluride and immediately…
Master Gardener In hindsight, Paul Schrader’s career has been a repeated jettisoning and reappropriation of extraneous artiness, new off-kilter filmic shapes of inscrutable quality…