Korean director Hong Sang-soo’s lo-fi, low-key films seem to be increasing in ubiquity as reference points for young filmmakers. Nelson Yeo’s Dreaming & Dying…
Premiering in the Berlinale’s Forum section, Claire Simon’s documentary Our Body follows her 2021 docudrama I Want to Talk About Duras. The title of…
Film often exists in a curious relation to the art world. Though there’s no formal distinction between film and video art or artists’ moving…
Nicolas Klotz and Elizabeth Perceval’s new film, New World! (The World Anew), was shot on Ushant, an island off the coast of Brittany where…
Since 1969, the French Directors’ Guild (SRF) has held the Directors’ Fortnight in parallel to the Cannes Film Festival. Often more adventurous than the…
The motley lineups of the Tribeca Film Festival often may not deliver the riches of more prestigious festivals, but they do provide space to…
Elena Martín Gimeno is the director, co-writer, and star of Creatura, a somewhat oddly titled film. When Mila (Gimeno) and her partner find themselves…
One of the highlights of the 2022 Berlinale’s Encounters sidebar was Ashley McKenzie’s Queens of the Qing Dynasty. Following the Canadian filmmaker’s first feature,…
In 2002, Laura Citarella co-founded El Pampero Cine with Mariano Llinás, Agustín Mendaliharzu, and Alejo Moguillansky. In 2011, they released Citarella’s first feature, Ostende,…
In João Canijo’s Berlinale competition film Bad Living, long shots are composed so precisely that their motivations frequently don’t become clear for minutes —…
The first thing you notice about Sarah Polley’s Women Talking is the color palette. It’s desaturated in the extreme — isolated shots even look…
A subgenre seems to be forming around Christopher Abbott. Coming to prominence working with the filmmakers of Borderline Films and starring in the first…