Your films have been widely described as having thematic preoccupations with the future and its anxieties, but at the same time they also are…
What would Andrew Tate or the late Theodore J. Kaczynski make of Sasquatch Sunset? The litmus tests of this cinematic curio, which is more…
Scarcity, meet self-interest: with the rising threat of ecological collapse and the persistent wherewithal to do little about it, dystopian scenarios have increasingly sought…
With Yannick, filmmaker and absurdist Quentin Dupieux has synthesized the irreverent, a product of his usual gags and conceits, and the satirical, afforded by…
“You were to suffer your fate. That was not necessarily to know it.” So declares May Bartram to John Marcher, both doomed lovers of…
In an edition of surprises, programming eclecticism, and a refreshingly measured jury performance, Nicolas Philibert’s Golden Bear win for his latest documentary might yet…
Where do irony and sincerity stand today, both with respect to each other and to the cultural scene at large? A litmus test for…
A curious counterpoint to Celine Song’s much-lauded Past Lives may be found in Mimang, Kim Tae-yang’s feature debut, and the relative prestige of the…
Speculative fiction tends to valorize the unreality of utopianism more than the concreteness of dystopian realism, and perhaps intuitively so: in the act of…
Much like Helena Wittmann’s first feature, Drift — whose audaciously hypnotic visuals and elliptical narrative heralded a major directorial presence — Anthony Chen’s third…
More exasperating than the woebegone premise of Olivia West Lloyd’s feature debut is the experience of actually watching it all unfold. The film limps…
For as long as the cinematic form has existed, it has embraced nostalgia, that cultural drug which oversees virtually every socio-political framework known to…
What do you get when you cross the clickbait sensibilities of TikTok with the winking ironies of the Marvel Cinematic Universe? A confused predilection…
The artifice of acting is almost always an unwelcome thing: draw too close to metafiction, and risk divorcing the spectator from the comforts of…
In Rachel Lambert’s Sometimes I Think About Dying, the protagonist — a young office worker named Fran (Daisy Ridley) — leads a scheduled life…
A lush, elemental reckoning unfurls across the relatively condensed runtime of Felipe Gálvez Haberle’s debut, The Settlers, even if few of its proceedings strictly…
A major fear factor in horror stems from isolation, and its pervasive influence extends to both claustrophobic and agoraphobic conditions. Whether confined within a…
“I shall. For it is a happy tale.” So begins the lurid odyssey of flesh reformed and soul remade, a marionette reanimated by its…