Even before his international recognition as one of Germany’s leading filmmakers, Christian Petzold was already cultivating and mastering his thematic and stylistic preoccupations. Bearing…
Final Account is not just a reckoning with history, but with its present lingering, executed with uncompromising force and first-hand immediacy. Released after the death…
Those Who Wish Me Dead is eminently watchable and rife with brutal genre spectacle, but never quite manages the depth of Sheridan’s prior work. In…
Spiritual faith, by virtue of its abstract and elusive qualities, rarely translates well to the visual medium, if indeed it can be translated at…
While The Mitchells vs. the Machines doesn’t live up to obvious touchstone The Incredibles, it rides its own humorous and referential wavelength to mild success.…
Every Breath You Take is a derivative, cliché-riddled yawn that would be more at home on late-night cable than on theater screens. While its…
The spectre of doom looms over the besieged town of Srebrenica for the entirety of Jasmila Žbanić’s Quo Vadis, Aida?, but the portended massacre…
A deceptively boilerplate film noir with shades of drab eroticism, Nicole Garcia’s Lovers belies an astonishing sublimation of its cultural and existential milieux. Premiering…
Retreating from the weight of actions into the weightlessness of words, Denis Côté’s latest finds a rambunctious solace in the oratorial. Serving possibly as…
The Father can veer into indulgence, but largely works as a nuanced, compassionate portrait of aging’s ravages. Like the captain of his soul, Anthony —…
Night of the Kings thrives on both its powerful sense of artifice and brutal reality. Storytelling is at the crux of Philippe Lacôte’s entrancing sophomore…
The World to Come is a narratively austere but emotionally and sociologically potent study of women and love under patriarchy. Set on the frigid expanse…
Mitra was a daughter and a revolutionary. In 1982, during the aftermath of the Iranian Revolution, she was among the thousands arrested by the…
Fernanda Valadez’s debut, while sometimes frustratingly broad, tells a well-known tale through unusual eyes, giving the classic immigration tale a welcome twist. Within a…
To delve into the world of Ilya Khrzhanovsky’s DAU. is to forgo the comfortable spectatorial positions of detachment and objectivity, and submit to its fantastical reconstruction…
Finding Yingying smartly avoids its early promise of true-crime procedural in favor of something more rawly emotional. Mere weeks after her arrival in the United…
Dreamland is a beautiful, lite-Malickian effort than smartly boasts both gorgeous, mythopoeic expositions and thrilling storytelling. Set during the Great Depression and amidst the dusty…
Woody Allen’s long-delayed latest isn’t among the director’s most psychologically incisive works, but its minor-key efforts reflect a curious transposition of the director’s old-fashioned…