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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 3

July 19, 2017
The Mole Song

The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies), a project which we wrote about in our first dispatch from the fest; the latest film from the very prolific Takashi Miike (The Mole Song: Hong Kong Capriccio); and a deceptively grim psychological horror effort from divisive cult auteur Sabu (Happiness).…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 2

July 11, 2017

The 16th annual New York Asian Film Festival (June 30th – July 16th) is now nearing the end of its two-week run. Our first dispatch included films from Taiwan, Thailand, Japan, Hong Kong, China, and North and South Korea. Dispatch 2 skews more extensively Chinese, including two films that were actually already released in theaters in the U.S. (Han Han’s Duckweed and Derek Tsang’s Soul Mate) and several first-time filmmakers (Wong Chun with Mad World, Derek Hui with This Is Not What I Expected, and Liu Lin with Someone to…

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by Matt Lynch Current Film

Baby Driver | Edgar Wright

June 27, 2017
Baby Driver

Fanboy darling Edgar Wright has certainly earned his reputation as a passionate pastiche artist and intricate stylist; his genre-infused films pair narratives of arrested male development with whiplash camerawork and razor-sharp editing. That skill and craftsmanship is fully on display in Baby Driver, but it’s undercut here by a trite screenplay and an overweening sense that the film’s twee brand of coolness, inextricably linked to a jukebox of pop songs, is somehow irresistible.…

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by Luke Gorham Podcasts

Summer Blockbuster!?! | Episode 8

June 27, 2017
It Comes at Night

#8: It Comes at Night Download episode here. Listen to episode here. Episode Description: On this week’s episode we head to the movie theater and check out a film that a majority of critics love and audiences seem to despise, 2017’s “horror” flick It Comes at Night. So what exactly is ‘it’? Why is ‘it’ coming? And, hey, why is the screen…

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by InRO Staff Features Festival Coverage

BAMcinemafest 2017 – Dispatch 1

June 15, 2017

The 2017 BAMcinemafest kicked off yesterday, and it offers, frankly, a much more exciting lineup than did this year’s Cannes—especially if you have a vested interest in the Amer-indie film scene. There’s new stuff here from Alex Ross Perry (Queen of Earth), Gillian Robespierre (Obvious Child), Stephen Cone (Henry Gamble’s Birthday Party), and Aaron Katz (Cold Weather). For InRO‘s first dispatch, you’ll find a couple of the aforementioned covered, in addition to some even more under-the-radar titles. Check back here over…

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by InRO Staff Features

Quick Takes on Albums 2017 – Quarter 1

May 19, 2017

Continuing from last week’s film coverage, InRO now turns its focus to highlighting memorable music releases in 2017 so far. This includes a labeled “playlist” from Canada’s Own, a collection of covers from a recent Nobel Laureate, and the 61st album from a country legend.…

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by InRO Staff Features

Quick Takes on Film 2017 — Quarter 1

May 5, 2017

2017—so far at least—hasn’t been spectacular. In between the deaths of beloved auteurs like Jonathan Demme and Seijun Suzuki, you had 25 beating Lemonade at the Grammy’s, Tom Brady smugly winning another Super Bowl, and Donald Trump being sworn into office (this one might be a little worse than those other two). But as Lil Yachty once…

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by Paul Attard Current Music

Big Sean | I Decided.

February 17, 2017

Big Sean wants you to realize how important I Decided. is: From the ominous intro of pouring rain to the voicemail interludes throughout, this project is presented as a grand personal opus, an album made in the mould of Drake’s Take Care. Sean makes every song feel large, utilizing expensive production, sing-rapping choruses that come off as calculatingly vulnerable, and indulging a six-minute track about the travails of fame. All of this worked for Drake, but Sean struggles under the…

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by Kyle Turner Features

Eat, Survive, Make Music: An Interview With Joe Benjamin

January 12, 2017

If Damien Chazelle’s recent film La La Land essentially uses its every frame to try and justify its pastiche nature, through a sense of disenchantment, then Joe Benjamin & a Mighty Handful is the kind of band that doesn’t really feel it necessary to make that kind of effort; they just let themselves be there for the audience that wants them to be. And if you’re with their freewheeling, kind of kookie frontman (who recalls Alan Cumming in Bob Fosse’s Cabaret), then head to one…

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