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Abbas Kiarostami

by InRO Staff Feature Articles Film Year in Review

Top 20 Films of 2018

December 29, 2018

Toxic masculinity had a year; scan the top three titles on this list and you’ll find three films about self-involved men belaboring the value of ‘their art’ — made by three self-involved men belaboring the value of their art. That may seem like a dispiriting regression, especially considering where we were as a culture like 24 months ago, and in many ways 2018 has been a backslide of a year. But take a closer look at those three films —…

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by InRO Staff Feature Articles Film Year in Review

Top 20 Films of 2013

For a while, it seemed like 2013 had front-loaded its highlights; many films making our Top 20 either played the festival circuit in 2012 before finally getting their official theatrical runs Stateside (Like Someone in Love, Frances Ha, and our top pick) or they premiered…

December 31, 2013
by Daniel Gorman Retrospective

Ten | Abbas Kiarostami

In an interview with Jonathan Rosenbaum and Mehrnaz Saeed-Vafa, Abbas Kiarostami recited a verse from the poet Rumi: “You are my polo ball, running before the stick of my command. I am always running after you, though it is I who make you move.”…

September 25, 2011
by Calum Marsh Retrospective

Certified Copy | Abbas Kiarostami

To engage with something critically is to assume, despite any post-structural handwringing, that the works with which we’re engaged contain some essential truth. That’s the conceit of all criticism: beyond projections of the reader, the personal prisms through which X looks like Y and vice versa, we’re required…

September 25, 2011
by Tina Hassannia Retrospective

Shirin | Abbas Kiarostami

You’re not allowed to know the Iranian Woman. Not truly, anyway—not personally, and don’t even think about intimately. Not in public. In public, you must treat her with “respect,” which apparently means pretending she doesn’t exist—you mustn’t make eye contact. As a female tourist in Iran, you spend…

September 25, 2011
by Daniel Gorman Retrospective

10 on Ten | Abbas Kiarostami

There’s at least a few reasons for the near total lack of critical interest in Abbas Kiarostami’s 10 on Ten, not the least of which is its near unclassifiable nature. It’s not quite an essay film, at least not in the Chris Marker sense,…

September 25, 2011
by Kenji Fujishima Retrospective

Five Dedicated to Ozu | Abbas Kiarostami

Even in his earlier, more relatively conventional films, Abbas Kiarostami always maintained an eye for radical formal experimentation. Close Up, for instance, is as much a meditation on the possibilities of fiction in capturing reality as it is a moving docudrama about an ordinary…

September 25, 2011
by Brendan Peterson Retrospective

ABC Africa | Abbas Kiarostami

In 2001, at the request of the United Nations, Abbas Kiarostami traveled to Africa to scout locations and shoot raw footage for a film focussing on the lives of Ugandan orphans. His previous experience working with children made him the perfect candidate to work…

September 25, 2011