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Alex Ross Perry

Before We Vanish by InRO Staff Feature Articles Film

Before We Vanish | Issue 4

May 6, 2019

OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words, while the title of In Review Online‘s new monthly feature devoted to current domestic…

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by InRO Staff Feature Articles Film Year in Review

Top 20 Films of 2018

Toxic masculinity had a year; scan the top three titles on this list and you’ll find three films about self-involved men belaboring the value of ‘their art’ — made by three self-involved men belaboring the value of their art. That may seem like a…

December 29, 2018
by Justin Stewart Film

Golden Exits | Alex Ross Perry

Pivoting from the cerebral intensity of Queen of Earth — an Images, or Fassbinder, -like exteriorization of a woman’s mental breakdown — Alex Ross Perry’s latest is a mini-Magnolia, a threaded “network narrative” (to use a David Bordwell term) about a gaggle of 30 and 40-somethings…

February 12, 2018
by InRO Staff Festival Coverage Film

BAMcinemafest 2017 – Dispatch 2

The 2017 BAMcinemafest ends this Sunday, and this dispatch concludes our coverage. Among the takes below, you’ll find several more holdovers from Sundance—including hit comedy The Big Sick and Alex Ross Perry’s unfairly panned Golden Exits—and two films (a narrative and a documentary) from American indie film director Michael Almereyda. Be sure to also…

June 22, 2017
by InRO Staff Feature Articles Film Year in Review

Top 20 Films of 2014

There were times during this especially tumultuous year when it seemed as if the world at large was on the verge of collapsing. A whole commercial jetliner seemingly disappeared without a trace, leading some ostensibly serious news outlets to put forth honest-to-god inquires about…

December 31, 2014
by Peter Labuza Film

Listen Up Philip | Alex Ross Perry

Near the end of Listen Up Philip, the audacious third feature from Alex Ross Perry, narcissistic author Philip (Jason Schwartzman) attempts to rekindle some sympathy from his ex-girlfriend, Ashley (Elizabeth Moss). Perry shoots the sequence with a door framed between them as Ashley explains…

October 17, 2014
In Review | Online film and music criticism