Ballet school drama Neneh Superstar is the kind of film that gives festivals like Rendez-Vous with French Cinema a reason to reach out to younger…
Three Nights a Week is less the love story between a straight man and a drag queen it has been billed as, and rather a…
On debut LP Follow the Cyborg, Margaret Sohn (AKA Miss Grit) explores the figure of the cyborg as a vision for liberation. As a non-binary…
Iris DeMent likes to play the long game. When the Pentecostal-raised but avowedly agnostic 31-year-old from Kansas City, Missouri, made her John Prine-cosigned debut on…
Zhang Lu has proved a unique presence in 21st-century film: A Korean-Chinese literary intellectual of the 1980s who became a little-known cult figure in the…
“It’s a cracked-screen world,” sings Damon Albarn on Cracker Island, the eighth studio album from everyone’s favorite cartoon band. Since 2001, Damon Albarn and Jamie…
Helmut Dosantos’ feature debut, Gods of Mexico, is an ethereal work of observation, informing tonality through compositional rigor, the beauty on display siphoned into a…
Depending on your disposition, New York City’s claustrophobic crush of humanity is either unsettling or liberating, if not both simultaneously — it’s not easy to…
Naomi Kawase’s 2014 romance drama Still the Water is never short on striking imagery. Set in Amami Ôshima, an island off the southern coast of…
It seems safe to say that we’re currently experiencing a remarkable resurgence of interest in Jacques Rivette; long the most mysterious of all the Nouvelle…
Meghan Remy, mastermind behind the experimental pop project U.S. Girls, has been on a trajectory of constant evolution since she began releasing music under her…
These days it feels like we’re more frequently encountering stories of people — particularly men — obsessed with legacy. Characters yearn for a sense of…
When Jamie Dack’s Palm Trees and Power Lines premiered at last year’s Sundance Film Festival, it was against the backdrop of a roiling and mostly…
From its first frames, Rikiya Imaizumi’s Call Me Chihiro is easily identifiable as a Netflix original. Adapted from Hiroyuki Yasuda’s manga Chihiro-san, the film’s flat,…
Kurt Wimmer’s mirthfully overwrought Children of the Corn, a revamp of one of horror’s longest and least-consequential franchises, is more fun than it should be.…
Creed III continues to mirror the trajectory of its parent Rocky franchise. The first one was a dare-you-say transcendent recapitulation of the original film’s working-class…
In This Issue: FEATURES: Kicking the Canon: Gang of Four (Jacques Rivette) by Daniel Gorman FILM REVIEWS: Creed III (Michael B. Jordan) by Matt Lynch // Palm Trees…
As a film title, God’s Time looks and sounds a lot like Good Time, and the similarities don’t end there. Writer-director Daniel Antebi’s tale of…
Adapted from Claire Keegan’s novella Foster, out for over a decade in the author’s home Ireland but only just hitting U.S. shelves at the end…
Luis Buñuel’s Los olvidados, released, rather perfectly, at the midpoint of the century, is perhaps one of the most uninviting kickoffs to a director’s second…
Classified as a documentary in the Berlin festival catalog, Tatiana Huezo’s new film The Echo is more accurately clarified as a scripted film shot on…