The ’60s and ’70s were a highly politically-charged time for Italian cinema. The country’s neorealism movement chronicled working class lives in a post-WWII Italy — a…
From the first frame of Alcarràs, Carla Simón alerts the viewer to the integrality of the summery Catalonian landscape of her film. Within these…
Based on Louis Bayard’s 2003 novel, Scott Cooper’s painfully dull The Pale Blue Eye imagines a fictional murder mystery featuring one Edgar Allan Poe…
Despite being arguably the popular genre of the classical era of Hollywood, the Western has faded over time into the background of mainstream cinema.…
Welcome to the new world of genre cinema, where decades of low-budget sleaze and slime have been overtaken by PG-13-rated, eminently meme-able stuff that’s…
When Kasi Lemmons made her directorial debut with the 1997 Southern Gothic masterpiece Eve’s Bayou, it likely wouldn’t have occurred to people that she…
Writing for the New York Times in 1997, film critic Janet Maslin called Harmony Korine’s directorial debutGummo the “worst film of the year” — no…
In This Issue: FEATURES: The Crushing Futility of Human Action: Bernardo Bertolucci’s The Conformist by Fred Barrett // Kicking the Canon: Gummo by Fred…
On the occasion of him winning the Palme d’Or at the 2018 Cannes Film Festival for his film Shoplifters, I called Hirokazu Kore-eda “the…
Right under the wire, we bring to you our Top 25 Albums of 2022. It’s also the second edition of our weekly magazine, kicking…
“I’m bout to explode!” Big Freedia first called for a “release” back in 2014 on her incendiary track “Explode.” “Release your anger, release your…
Celebrity worship is out in 2022. At this point, we expect our superstars to have a downward spiral after reaching the top. It’s essentially…
Changes are coming to InRO in 2023, and by that we mean today. Beginning in January, InRO will be dropping a weekly magazine, every…
InRO started, as an idea, in early 2007, when it went by a slightly different name and an acronym much too corny to reproduce…
Rarely does the weight of a classic so gracefully crimp under the weightlessness of an earnest successor, less keen on displacing the gravitas of…
When Empress Elizabeth visits a mental asylum — the sort of place in 1878 where men are institutionalized for mental disorders and women for…
If the recent High Heat represents a kind of floor for a DTV genre work — some perfect okay action courtesy of a game…
We’ve frequently proselytized for the relative value of the DTV action-thriller here at InRO, but the truth of the matter is that, more often…