Songs for Our Daughter is another in a run of lyrically-precise, sonically-varied Laura Marling efforts. Songs for Our Daughter, Laura Marling’s seventh LP, finds the…
KiCk i is lame and tame — a pop-forward album of limited imagination and experimentation. It’s been a busy last few years for Alejandra Ghersi.…
Phoebe Bridgers At this point, Phoebe Bridgers seems unstoppable. While Punisher is only her second solo studio album, she’s been busy since her 2017…
Relic is a nifty work of ambiguous horror built on the duality of destruction and creation. Relic, the debut feature from Japanese-Australian director Natalie Erika…
City on Lock is a warm-up round for the heights City Girls are sure to ascend to. City Girls are a hyper-feminine performance, and a…
The Deluxe edition of Eternal Atake adds a wrinkle of inequity to the album’s two halves, but it remains an fascinating document of Uzi’s evolution…
An album a decade-plus in the making, A Written Testimony is Jay Electronica’s thumping autobiography and manifesto. For most of the past decade, Jay Electronica has…
RTJ4 gets out of the blocks slowly, but the album’s second half features the duo at their fiercest. Rap duo Run the Jewels, consisting of…
High Off Life has the requisite Future bravado to sustain a record, but is mostly only good enough to remind what he is at his…
YoungBoy’s latest is still muddled by inconsistency but proves he’s an ascendant rapper not to be slept on. YoungBoy Never Broke Again needs you…
Lil Uzi Vert Eternal Atake (Deluxe), aka Lil Uzi Vert vs. the World 2 and Eternal Atake, is a project that lives up to…
Set in the small coastal town of Oiso, Takuya Misawa’s sophomore feature is a crisp, withholding tale of pent-up aggression and toxic masculine friendship.…
The depiction of sex work in cinema usually does one of a couple things: bears down on the eroticizing, titillating aspects, indulges in moralistic…
Shinichiro Ueda’s debut feature One Cut of the Dead was a sensation both in Japan and abroad when it came out a few years…
Roar begins with a vertiginously disorienting prologue, as a manic handheld camera frantically searches a room before pushing into an extreme close-up of a…
I think it’s safe to say that Nobuhiko Obayashi no longer requires an introduction. For that we owe the Japan Cuts team a debt…
Seijo Story – 60 Years of Making Films I think it’s safe to say that Nobuhiko Obayashi no longer requires an introduction. For that…
Haim’s latest represents their most cohesive artistic vision yet and a grand promise of continued evolution. “Goodbye for now” were the words that the…