Haim’s latest represents their most cohesive artistic vision yet and a grand promise of continued evolution. “Goodbye for now” were the words that the Haim…
Homegrown is the rare archival release that actually offers substance rather than just ephemera. In an age where exhuming stacks of demos and alternate mixes has…
Chromatica delivers occasional melodic pleasures but is otherwise stripped of the complexity and contradiction that usually defines Gaga’s brand of pop. Each new release from Lady…
Charli XCX has found her niche as an entertainer but lost her way as an artist on How I’m Feeling Now. How I’m Feeling Now,…
Petals for Amor finds Hayley Williams at her most vulnerable as a lyricist and most experimental as a musician. If Hayley Williams intended to hide her…
The New Abnormal sees The Strokes return to a familiar sonic landscape with a newfound lyrical maturity, to somewhat mixed results. The New Abnormal is the…
Lady Gaga Each new release from Lady Gaga following the Fame and Born This Way heyday is more disarming than the last — increasingly structured…
Hamilton barely qualifies as a film, losing much of what makes it a stage success in translation, and its historical revisionism feels much murkier in…
The Ross Brothers’ latest is a uniquely heady, tonally dexterous work that operates at the intersection of documentary and fiction. An official selection of this…
The Old Guard navigates familiar genre terrain but with enough punch to put the hetero white male actioner ethos on notice. Every big-budget action flick…
Ever since H.G. Wells unleashed The Time Machine upon the world in 1895, artists have used the conceit to impart important life lessons, waxing broadly…
The title of Myanmar-born, Taiwan-based Midi Z’s fourth fiction feature, The Road to Mandalay, conjures Kipling-esque Orientalist visions of the far east. But this starkly rendered yet…
The summer of 1996 saw the release of three huge blockbusters that would in one way or another influence the next 20 odd years of…
More comparable to Walerian Borowczyk than any other well-known Polish filmmaker, Andrzej Zulawski never really gained more than a dedicated cult following during his career.…
There is more than a bit of irony to be found in the fact that the new Will Ferrell/Netflix comedy Eurovision Song Contest: The Story…
You Don’t Nomi is a clear-headed, surprisingly intelligent documentary with a lot more than lurid celebration on its mind. Jeffrey McHale’s documentary You Don’t Nomi takes…
MS Slavic 7 is an ambiguous, mechanistic work that seeks to understand the divide (and bridge) between passion and scholarship. Sofia Bohdanowicz and Deragh Campbell’s low-key,…
A director in tune with the material, and one willing to upset coming-of-age tropes, makes House of Hummingbird a surprising find. The feature directorial debut…
Aviva has the distinct feel a Personal™ film, and one that mistakes gimmickry for depth at every turn. Boaz Yakin has had a bizarre career,…
Overly reliant on metaphorical contrivance and signaled emotionality, Babyteeth fails to transcend its archetypal narrative. An unadorned tale of woe, grief, angst, love, mortality, and…
Miss Juneteenth is a delicate, gentle film arriving at a defining moment in American discourse surrounding race. Miss Juneteenth, the debut directorial feature of Channing Godfrey…