Fatman remains a bleak bit of dark holiday fun even as it fails to seize on its more potent genre possibilities. Somebody deserves proper credit…
Divine Love is a frustrating, contemptuous affair that ultimately builds little depth into its religio-dystopic premise. Gabriel Mascaro’s Divine Love comes at a timely moment for…
Mank is a listless, conventional story of embattled genius, safely told from behind a scrim of sentimentality. In her notorious New Yorker article “Raising Kane,” which…
Jungleland is a deeply familiar film that injects little energy or originality into its template narrative. Max Winkler’s Jungleland follows bare-knuckle boxer Lion (Jack O’Connell) and…
How lucky would one be to have the opportunity to listen to Definitely Maybe while remaining blissfully ignorant of the very inflated egos of both…
Lana’s latest might be branded as spoken-word poetry, but Violet still features the introspective lyricism, emotional vulnerability, and intelligent songcraft we’ve come to expect from the singular…
All the Time is both a breezy bit of oddball dance-pop and a rich record that benefits from deeper listening. While Hamilton, Ontario may not seem…
American Head represents a reflective and promising reinvigoration for the legendary outfit. Rather remarkably, 2020 has brought us a new Flaming Lips album that is, in…
Ellie Goulding’s latest sees her transition from pure chart persona to an assured pop artist. In the five years since her last album, the excellent…
Lana Del Rey The prospect of a book of poetry from Lana Del Rey might seem, to anyone familiar with the songs that made her…
Kindred doesn’t achieve much more than powering through a laundry list of tired indie horror film clichés. A studio releasing its seasonal horror offering one week…
Proxima is a markedly incurious film, happy to diminish all complexity of its female protagonist. Alice Winocour’s Proxima is a film constructed around a single premise:…
With The Dark & the Wicked, Bryan Bertino opts for cheap ominousness at the expense of developing the film’s implied psychological subtext. It’s unfortunate that…
His House is a formally confident and unsettling debut that fully impresses even as it falls just short of greatness. The new Netflix horror film His…
The Mortuary Collection is a gothic, expressionistic, and winning riff on a number of horror influences. Ryan Spindell’s The Mortuary Collection is an absolute blast, a…
Unlike Wiseman’s typically nuanced, curious documentary treatments, City Hall doesn’t have much to offer beyond standard homage to contemporary liberalism. What Frederick Wiseman does, at…
May the Devil Take You Too is a Raimi-esque bloodbath, gore-fest, and goop-show that understands how to set up and execute its thrillingly gnarly set pieces. …
Fire Will Come retains a kind of documentary-based fascination even as it becomes clear capturing the titular blaze was the only real objective here. Oliver Laxe‘s…
The Craft: Legacy certainly has its heart in the right place, but the effort ultimately amounts to little more than superficial virtue signaling. The easiest observation…
Spontaneous tries to be too many things at once, and ultimately doesn’t scratch the surface of any of them. Spontaneous is a lot of things:…
Ham on Rye is a welcome departure from the typical trappings of a coming-of-age film. Coming-of-age narratives make up a significant proportion of contemporary independent…