If you were to infuse the brazen attitude of Lil’ Kim at the height of her popularity with the melodic facility of both today’s SoundCloud…
DJ Khaled raised a bit of a stink recently, after his eleventh studio album, Father of Asahd, failed to secure the top spot on the…
It’s easy to presume that the emergence of SoundCloud-platformed rap music from the last few years is the definitive proof of the devolution of the…
With films like D.A. Pennebaker’s seminal 1967 documentary Don’t Look Back and Todd Haynes’s shapeshifting 2007 musical drama I’m Not There, the cinema has maintained…
Ostensibly a return to the populist wuxia films of Chinese director Zhang Yimou‘s mid-2000s hayday, Shadow instead feels more like an exercise in extended foreplay.…
Adapted from Nobel Laureate Harry Martinson’s long form poem of the same name, Pella Kågerman and Hugo Lilja’s Aniara skews largely sensationalist — to its…
There’s something of a red flag that should warn viewers just moments into Meeting Gorbachev of the documentary’s relative lack of cinematic austerity: the shimmering…
The Wandering Soap Opera manages to create the perfect portrait of a nation without culture, without guidance, lost in a post-dictatorial haze. Filmed in 1990…
The primary appeal of Dominga Sotomayor’s Too Late to Die Young is its seductive portrayal of a liminal state. Set in a bohemian commune in…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Diamantino, the brainchild of directors Gabriel Abrantes and Daniel Schmidt, comes out guns-a’-blazin’, with frenetic, intertwining, impossible-to-link story threads listed-out via voice-over and referencing (in…
Ryusuke Hamaguchi’s intimate epic of friendship between women, Happy Hour, was my favorite film of 2016, so needless to say Asako I & II, which…
“Sensuous,” “gorgeous, “evocative” — such descriptors are perhaps too easily applied to Ash Mayfair’s The Third Wife, a film that, from its opening frames, seems…
More generationally distinctive than his recent output, Olivier Assayas’s latest, Non-Fiction, engages with a specific vein of cultural discourse regarding technology: e-books as a corruption…
In the year 2019 we have ourselves an honest-to-goodness, totally authentic film maudit, Brian De Palma’s new whatsit Domino. Barely completed, abandoned by its producers…
The Souvenir is that rare kind of great film, one that teaches you how to watch it as it goes on. There’s a constant tension…
‘Batman of the barrio’ makes for an enticing logline, and Ben Hernandez Bray’s El Chicano presents itself as “the first Latino superhero movie.” But good…
“Give a fuck what you sayin’ about a n***a, I used to be homeless” asserts 03 Greedo on the outro of “Bet I Walk,” a…
Last month, we had some fun goofin’ on Lil Skies. Sadly, I’m here to report there’s little to no fun to be had with Nav’s…
2018 was one of the biggest years for rap in America — from blockbuster artists to up-and-comers to the underground — and 2019 shows no…
Rico Nasty comes in guns blazin’ to tear the Navs of the world a new one on Anger Management, screaming in admonition about “same thing……