Given the baffling and total absence of any marketing from Netflix, the fact that cult movie mainstay Takashi Miike made his return to the…
Enough time has passed that it’s possible for one to feel vaguely nostalgic about the myriad young adult film franchises, and would-be franchises, that…
We’re in an odd place when it comes to “Covid cinema.” The time between the World Health Organization first declaring Covid-19 a pandemic in…
Pop quiz, hotshot: if a city bus is rigged with explosives and speeding down the highway at 50mph, what is the probability that Keanu…
Late in Queendom, the queer Russian performance artist Gena Marvin (alternately styled as Jenna Marvin) struts during a go-see where a fashion designer calls…
Baseball and film aren’t so different. Both are a national pastime, and both traditionally enforce a sort of spiritual mindfulness that is otherwise associated…
The 1960s to early 1970s was a truly utopian moment. In the hangover of Imperial Japan, the concomitant decolonization of the “Third World,” and…
Set in the rural Spanish countryside, Estíbaliz Urresola Solaguren’s 20,000 Species of Bees centers on a transgender eight-year-old girl who happens to be visiting…
Appreciating the work of Barry Gerson in recent years has been somewhat difficult. His work remains noted in high regard when it’s shown and…
It’s rare, but not unheard of, for a filmmaker to land their debut feature in competition at Cannes. Such instances include Steven Soderbergh’s sex,…
2020’s Bad Boys for Life, the third installment of the series after a 17-year gap, was “lucky” enough to come out mere months before…
Kit Zauhar should probably be one of the shining bastions of American independent cinema today. Her two features to date represent two forms of…
There’s an immediate insecurity to The Watchers, the directorial debut from Ishana Night Shyamalan. Mina (Dakota Fanning), a flatly cynical American decamping in a…
A good animal attack movie doesn’t need to overstuff its checklist. Basically, all the film needs to do is trap a bunch of folks…
An angry young girl runs away, leaving behind an affluent but troubled home life to throw in her lot with unsupervised older teenagers and…
If one is to survey a slate of HBO’s flagship programming — say, The Sopranos, Succession, Boardwalk Empire, Game of Thrones, and now House…
In contrast with the high-profile and ostentatious trappings of Everything Everywhere All At Once, which enmeshed the idiosyncrasies of genre with patent identity politics,…
Am I OK?, the directorial debut of Tig Notaro and Stephanie Allynne, is a simple, mostly familiar coming-out story that follows Lucy (Dakota Johnson),…