Sporting an overly cutesy and clever-aspiring title that confounds as much as it explains, Expend4bles marks the fourth film in the long-in-the-tooth action franchise…
Sebastien Marnier’s latest breezy, twisty thriller The Origin of Evil may lack any deeper interrogation in its Agatha Christie-reinvention of deception, but its strong…
Next Goal Wins Consider the fortunes of Taika Waititi in just the last five years. Briefly heralded as one of the more exciting voices…
When I worked the film scanner at a home media transfer house, among the foremost moldy delights I could regularly expect to find on…
Amidst the ongoing renaissance of Indigenous art, there is one existential crisis that is rarely addressed: First Nations’ access to clean, drinkable water. It’s…
As climate change continues its steady march toward apocalyptic crescendo, its devastating effects are becoming more and more visible. In 2022, the United States…
He Thought He Died Before He Thought He Died (2023), a friend spoke on his misgivings about 88:88 (2016), Isaiah Medina’s hitherto best-known film,…
Before He Thought He Died (2023), a friend spoke on his misgivings about 88:88 (2016), Isaiah Medina’s hitherto best-known film, echoing sentiments that sounded…
The late Chinese, Tibetan minority filmmaker Pema Tseden is no stranger to the Western international film festival circuit (which is also the case for…
Set in a small Balkan town still reeling from a tragic factory fire several years earlier, Mladen Djordjevic’s Working Class Goes to Hell finds…
Sometimes people die for no reason, and that a tragedy can be so banal makes it all the more incomprehensible. This is what the…
Menus-Plaisirs: Les Troisgros For most of Frederick Wiseman’s career, the master documentarian has focused on the lives and institutions of the United States. His…
Looking over the 25 years’ worth of productions by French-Canadian auteur Denis Côté, one discerns a kind of creative restlessness. Not only is Côté…
Already an acclaimed editor on films such as Carlos Reygadas’ Silent Light & Post Tenebras Lux and Lisandro Alonso’s Jauja, as well as an…
Following the success and acclaim of his reality-bending 1997 directorial debut Perfect Blue — a feverish take on the Giallo genre, filtered through a…
Director Kiohara Yui’s last feature, Our House — which debuted in 2017, and which this writer briefly reviewed here at InRO when it played…
Back in 2006, five years after 9/11, the question of when enough time had passed for Hollywood to grapple with a national tragedy was…
Les Indésirables “The real problem [or] the central mystery of politics is not sovereignty, but government; it is not God, but the angel; it…