Transformers: Rise of the Beasts marks the seventh film in the long-running series based on the Hasbro toy line, and the second not directed…
Ever since he moved to Rome, Abel Ferrara has focused much of his directorial output on the land of his family: Pasolini, Piazza Vittorio,…
In This Issue: FEATURES: FULL TILT BOOGIE: An Interview With Abel Ferrara by Zach Lewis KICKING THE CANON: Day of the Dead (George A. Romero) by…
As of last year, 50 million people around the world considered themselves influencers. Whether it be a Twitch streamer playing video games, a TikTok…
For those who’ve ever lit a doobie and stared at Pink Floyd’s cover art with glazed eyes, wondering what it all means, man, rejoice:…
So far as vanity projects go, Shooting Stars is a refreshingly humble affair, which is perhaps fitting for a global superstar — LeBron James…
The way in which people interact with the archaic or outmoded is an ever-evolving proposition. Especially given the unbelievable pace of the 20th and…
Part coming-of-age tale, part ghost story, Charlotte Le Bon’s Falcon Lake stands out among its “teenager finds himself over the course of an idyllic…
Ma Dong-seok has found his niche. Last summer brought us The Roundup, the sequel to Ma’s hit 2017 vehicle, The Outlaws, and here we…
There’s something rotten at the heart of the Mexican elite, so says writer-director Joaquin del Paso in his new film, The Hole in the…
Detrimental is the perspective mired in solipsism, where the world that surrounds a character exists only to serve their compulsions. What is disclosed through…
With Past Lives, director Celine Song has a fine story on her hands — and she knows it. A decade after immigrating with her…
The central message behind Nancy Reagan’s “Just Say No” campaign in 1982 was this: if an individual could say no to drugs, there were…
One of the things that Rob Savage’s The Boogeyman has going for it is that it’s often too dark to see what’s happening. That’s…
At its most fraught, to be Black is to feel as if locked in constant battle with the external forces committed to devaluing your…
Disclaimer: It’s important to acknowledge the severity of the accusations of abuse made against both Shia LaBeouf and Asia Argento, and clarify that while…
In a movie landscape dense with stodgy prequels, unremarkable sequels, and remakes that nobody asked for, Spider-Man: Across the Spider-Verse is that rare thing:…
In This Issue: FEATURES: CANNES FILM FESTIVAL: Club Zero (Jessica Hausner) by M.G. Mailloux // Last Summer (Catherine Breillat) by Luke Gorham // Kidnapped (Marco…