Cordoned to a cultural temperament that favors realism, based-on-true-stories, and the animated mythologies of men and women who have walked among us, the biopic has…
The depiction of grief in films is as variable as film form. It can be outwardly melodramatic like in Krzysztof Kieślowski’s Three Colors: Blue (1993),…
When first introduced at the beginning of Jonás Trueba’s The Other Way Around, a couple, Ale (Itsaso Ariana) and Alex (Vito Sanz), have already decided…
When the band Slowdive came out of a 22-year hiatus with a self-titled album, the silhouetted graphic of a face that made up the album…
The story of The Strangers (2008) is simple: a couple (or family, in the case of 2018’s The Strangers: Prey at Night) will be approached…
Your films have been widely described as having thematic preoccupations with the future and its anxieties, but at the same time they also are imbued…
The first onscreen image in Faceless After Dark (2023), is, perhaps in deliberate tension with the film’s title, a human face. It is bloodied, or…
It wasn’t all that long ago when it seemed John Green’s shine couldn’t be blocked. A Young Adult author coming of prominence during the great…
There have been a number of “lockdown movies” since the outbreak of Covid, and most of them have been unfortunate affairs. While it’s true that…
For expectant moms seeking the sort of potty humor that What To Expect When You’re Expecting, simply can’t deliver, Pamela Adlon’s debut feature film Babes…
In her previous film Wet Sand, Georgian director Elene Naveriani depicted a clash between the urbane, laid-back values of Tbilisi and the small-minded cruelty of…
Hong Sang-soo’s second film of 2023 — and 30th overall in a 27-year career — premieres just a few short months after in water at…
Long whispered about by in-the-know cinephiles but seldom seen in American theaters, Greek director Antoinetta Angelidi’s long overdue U.S. debut comes courtesy of Prismatic Ground…
Longtime Tsai fans might recall that he officially retired from making feature films back in 2013. He must’ve been in some kind of a mood,…
One of the unique features of Emilia Beatriz’s new film barrunto is the omnipresence of sur- and subtitles, translating between Spanish and English, differentiating between…
Critic Alex Fields has called Joost Rekveld’s films “glimpses into secret patterns that underlie our physical reality.” While abstracted images engineered from analog computers are…
Audrey Lam’s Us and the Night is a film of patterns — in its geography, which functions as both an exploration of a library and…
Ancient life was all silence. In the 19th Century, with the invention of machines, Noise was born. —Luigi Russolo, The Art of Noise The city…
Fan fiction has long been an outlet for superfans to reimagine worlds and celebrities, weaving narratives out of their wildest fantasies. Whether you call it…
Many generations after the events of 2017’s War for the Planet of the Apes, we return to a future Earth where apes rule over man,…
ESSAYS UNPLUGGING THE EMPATHY MACHINE: HIROKAZU KORE-EDA’S MONSTER AND RYÛSUKE HAMAGUCHI’S EVIL DOES NOT EXIST FEATURE BY: Theo Rollason SATURDAY NIGHT AT THE BATHS FEATURE BY:…