The inimitable internal torments of David Cronenberg’s Dead Ringers are colored in bloody red and sterile chrome, starting with the melancholy anatomical figures and pointed…
The rare Shinya Tsukamoto film to not star the director himself, Shadow of Fire is his third consecutive period piece, following Fires on the Plain…
The latest piece of cotton candy in the ever-prolific François Ozon’s filmography, The Crime is Mine (Mon Crime) finds him restaging a 1934 play by…