Since his debut feature, Tower, 12 years ago, Kazik Radwanski’s tendency to foreground his characters’ inner turmoil has been matched, and perhaps maintained, by…
The decade-long collaboration between Sofia Bohdanowicz and Deragh Campbell has produced a fascinating cycle of films, including features and shorts, that goes some way…
Christopher Jason Bell has amassed an impressive filmography of shorts and features over the last 15 years, across which we can trace three key…
Courtney Stephens and Callie Hernandez premiered their new film, Invention, at Locarno last month, not quite sure what kind of life or reception it…
The dying days of French colonial rule are given ironically youthful life in Robin Campillo’s Red Island. Set in the early 1970s in Madagascar,…
Zach Clark’s films embody so many of the inspiring qualities of great low-budget filmmaking: scrappy, rough-and-ready production values stretched to feel more expensive than…
Monica Sorelle’s feature debut, Mountains, is refreshingly simple. It follows demolition worker Xavier (Abiton Nazaire), a Haitian immigrant living in the Little Haiti neighborhood…
It feels pointless to aim for some new insight in regard to Magnificent Obsession. As the title suggests, Sirk’s melodramas, particularly those he made…
Contemporary Georgian cinema is hard to pin down. Recent years’ most notable examples prove native talent expresses itself in disparate ways. The familiar, coming-of-age…
On paper, a recently discovered 1964 interview between author and journalist Richard Meryman and Elizabeth Taylor, then at the absolute height of her fame…
The premise is familiar: three young women spend their holiday by the sea, relaxing, flirting, and drinking; Jacques Rozier fertilizes this unremarkable narrative turf…
If not united by one distinct way of seeing the world, the works of L.A.-based collective Omnes Films do all encourage their viewers to…
Lucy Kerr’s debut feature Family Portrait is a startling discovery. An elliptical puzzle of a film that circles around a mystery that is never…
Asif Kapadia has had an enviably diverse career as a director, but he’s established himself over the last 15 years — across three films,…
Steady hums and inverted camerawork in the early moments of Justin Anderson’s psychological drama Swimming Home are strategies of disorientation, signaling its intent to…
Kit Zauhar should probably be one of the shining bastions of American independent cinema today. Her two features to date represent two forms of…
The capacity to imagine a better future is integral to any successful progressive movement. Amidst historic protests around the United States against both the…
Death hangs over Jeff Rutherford’s keenly observed and poignant feature debut, A Perfect Day for Caribou. We meet Herman (Jeb Barrier), a scruffy, world-weary…