In Review Online has launched some monthly features devoted to reviewing new album releases. One such feature is Foreign Correspondent, a bimonthly survey of new…
Dividing Stephen King’s sprawling novel of repressed childhood trauma and inter-dimensional evil clowns into two parts not only made it easier to streamline It’s narrative,…
The Satanists in Hail Satan? don’t actually worship the devil, but it’d be a lot cooler if they did. Instead of ritualistic blood sacrifices and black magick,…
With U.S.-China tensions at the center of so much of our discourse, it seems as good a time as any to look at a figure…
Set in the remote valley of Qadishi, in Northern Lebanon, Abbas Fahdel’s Yara is a limited, if verdant vision of quotidian life. Centered on an…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
After thwarting the terrorist takeovers of both Washington, D.C. in Olympus Has Fallen and in London, in — naturally — London Has Fallen, legendary Secret…
Our monthly music feature, Rooted & Restless, finds country music aficionados Josh Hurst and Jonathan Keefe wading into all things Americana, expanding the definition of…
The latest film from Filipino director Lav Diaz to make it to US streaming services is the almost four-hour long, politically charged, a cappella musical…
Directed by Nahnatchka Khan and starring Ali Wong and Randall Park, Always Be My Maybe is a rara avis. It’s a romantic comedy with Asian-American…
From the outset, Ready or Not looks like a bloody good time. The prospect of a scathing indictment of the 1% gussied-up with horror-comedy trappings…
Where’d You Go, Bernadette? wants to be a deep, philosophical treatise on identity in the modern world. That the film’s title ends up serving as rhetorical…
A man (bearded, crestfallen) traipses into the woods, where he holes up in a small cabin and writes music about his heartbreak — agonizingly vulnerable,…
Across three mixtapes preceding Chancelor Bennett AKA Chance the Rapper’s studio debut, an organic maturation, both personal and artistic, occurred. 10 Day proved a largely…
There’s nothing particularly new in Joe Penna’s survival drama Arctic. But the director’s gritty, hard-edged vision of human resilience strikes a primal chord that other…
It’s unclear whether The Haunting of Sharon Tate exists as an outgrowth of the ongoing pop culture fascination with Charles Manson and the Manson murders…
100 Gecs makes music that dares the listener to hide behind snobbery. Every song is designed to make your parents scoff, as if Gecs masterminds…
SoundCloud junkies Paul Attard and Joe Biglin run down some rap releases from the months of June in the latest What Would Meek Do?. This…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
If Gerardo Naranjo hadn’t already taken the title I’m Gonna Explode for his 2008 portrait of adolescent rebellion, it would have made a fitting option…