Released in 1967, Arthur Penn’s Bonnie & Clyde was the New Hollywood urtext: young, sexy, fast, and violent. It’s impossible to view The Highwaymen as anything but a…
The 48th edition of New Directors/New Films runs March 27th – April 7th. Here’s our first dispatch. Included — very much intentionally — in our second and…
Richard D. James’s debut altered the electronic music landscape, and remains a singular experience within the enigmatic musician’s oeuvre. Whereas the album’s follow-up, Selected Ambient Works…
It seems natural to react with bewildered laughter when watching Scanners. The sight of actors contorting themselves with pained screams and Dick Smith’s visceral special effects…
The 48th edition of New Directors/New Films runs March 27th – April 7th. For our first of two dispatches, we tackle the second feature from Canadian filmmaker Philippe…
Modestly assembled and expertly executed, David Wenham’s delightful debut feature Ellipsis conjures those occasions when human connection comes calling, often in spite of some general apathy. Employing a…
From their first release (1982’s Garlands), Cocteau Twins enjoyed critical acclaim. But it was only after the departure of founding member and bassist Will Heggie — and the induction of…
Early in the second half of J.C. Chandor’s Triple Frontier, Ben Affleck’s character executes a South American cocaine farmer, lying on the ground, just moments…
Us begins with a sincerely spooky prologue taking place in 1986, when young Addy wanders away from her bickering parents at the Santa Cruz boardwalk and…
Maren Morris’ second album, Girl, certainly feels and sounds like her type of record, at least based off of the music from her previous album…
“College rock” has lost just about any use it once had as a genre signifier, now mostly just a descriptor for broad, alternative rock of…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
SoundCloud junkies Paul Attard and Joe Biglin run down some rap releases from the months of December and January in the latest What Would Meek Do?.…
Like Black Panther before it, the representational bona-fides of Captain Marvel, the latest Marvel Cinematic Universe, entry have been at the forefront of its marketing and…
We’re a long ways away from when directors like Allan Dwan and Joseph H. Lewis could pack an absurd amount of plot into 70-minute features;…
It’s been 20 years since game-changer The Blair Witch Project hit cinemas, and yet the found-footage horror sub-genre is going strong. Just last year, both the well-regarded horror sequel Unfriended: Dark…
Our new monthly music feature, Rooted & Restless, finds country music aficionados Josh Hurst and Jonathan Keefe wading into all things Americana, expanding the definition…
For those who still associate Rivers Cuomo with the confessional and unabashed awkwardness of Pinkerton, an album of estimable emotions that seems to have been released…
In Alex Lehmann’s Paddleton, Mark Duplass and Ray Romano play Michael and Andy, a couple of sadsack, socially awkward, loser neighbors who have struck up…
A Perfect World’s title is contradictory, born from a phrase that implies that life will never really amount to what we want it to — but…