For better or worse, Brett Goldstein is always — or at least for the far foreseeable future — going to be associated with his Ted…
Most great cinema centers around The Other — people who, fairly or unfairly, feel out of step with the society around them. Their idiosyncrasies allow…
“We learned punk rock in Hollywood.” – Minutemen Film culture feels at times like it’s reached a dead end in the Letterboxd generation, cinephilia no…
Ahead of assembly, Justin Tipping’s football horror Him had the components of a serviceable genre flick. As a child, Cam (Tyriq Withers) was pushed to…
Whatever else you can say about Nico Ballesteros’ fascinating and frustrating In Whose Name?, it doesn’t make too many excuses for the downfall of Kanye…
Since his starring role in 2023’s Oppenheimer, a role that made him a bona fide Hollywood A-lister and won him an Academy Award, Cillian Murphy…
Few things are capable of riling almost everyone up collectively, and those that do typically pivot toward unambiguous moral spectacle. In the hyper-mediated 21st century,…
Hot on the heels of the exemplary Diablo, Scott Adkins, the hardest-working man in DTV action, is back with Prisoner of War. It’s a “big”…
We get two post-apocalyptic action films starring Dave Bautista as a loner hero crossing a barren wasteland and taking a long train trip this year!…
Grieving in cinema — often perceived as the most painful remembrance of someone whose body you can no longer possess, but whose soul (consciousness, if…
Writer-director Carmen Emmi, inspired in part by a 2016 L.A. Times article detailing a sting operation by undercover police officers at a popular cruising site…
Compulsion begins with a long, snaking POV tracking shot; we see only a pair of gloved hands as the camera enters a gated residence, scales…
The Cannes Film Festival has a reputation (not entirely undeserved) for skewing its selections toward the more abstruse, audience-unfriendly end of the international cinema spectrum.…
Paul Greengrass hasn’t had a bona fide box office hit in quite some time, but the good work marches on: he continues to churn out…
Megalopolis. It’s the movie that just won’t die. Whatever one’s take on it upon release, and the takes were legion, Francis Ford Coppola has kept…
In Kogonada’s A Big Bold Beautiful Journey two attractive yet emotionally wounded people take a magical mystery tour of their complicated pasts, traversing space, time,…
It’s always been Prestige TV’s inclination to dip into darker material and gritty violence, but lately there’s been a tendency to spill over into pure…
For the most part, the documentaries that have made Gianfranco Rosi’s reputation have a firm basis in geography. Sacro GRA (2013) explored life in Rome…
The “theatre kids” of the world, spurred on by the renewed cultural phenomenon of Wicked, a spate of TikTok parody musicals amidst pandemic-era social distancing,…
In Neo Sora’s Happyend, Tokyo — indeed, all of Japan — is preparing itself for a 100-year earthquake. The mood of the film’s opening scene,…