All My Life adopts the familiar form of any number of tragic romances without building any depth into its vision. Jessica Rothe is undoubtedly one of…
Superintelligence undermines its innocuous silliness and any potential rom-com aspirations with needlessly complicated stakes and a fixation on its own high concept. There’s a genuinely charming…
Freaky is a playful and genuinely funny ’90s slasher revamp that boasts both surprising commentary and appropriately gnarly kill thrills. There’s a lot to like about…
May the Devil Take You Too is a Raimi-esque bloodbath, gore-fest, and goop-show that understands how to set up and execute its thrillingly gnarly set pieces. …
The Craft: Legacy certainly has its heart in the right place, but the effort ultimately amounts to little more than superficial virtue signaling. The easiest observation…
Put simply, there’s a reason The War with Grandpa sat on the shelf for three years. Originally slated for release way back in ye olden times of…
Honest Thief is a lazy, cheap, and deeply stupid entry in the Liam Neeson crime cinema oeuvre. With Honest Thief we have yet another entry in…
Antebellum is a vapid, one-gimmick flick that plays like a politically impotent episode of Black Mirror. There’s still plenty of debate over cinematic depictions of slavery specifically…
Mulan fails as action spectacle and lazily cribs from the vast cinematic legacy it so loosely approximates. After such massive financial successes as Beauty and the…
For all of Tenet’s ostensible narrative novelty and talk of the future, it is, in the end, a dismayingly familiar experience. It makes some degree…
Face the Music doesn’t possess the rambunctious energy of its predecessors, but is hopeful and good-natured in a way too few comedies achieve these days. Just…
Peninsula is admittedly better than most recent zombie fare, but is reflective of an overall cinematic failure to innovate the genre. The zombie film is, at…
To understand the ostensible intent of Jon Stewart’s latest film, Irresistible, it’s best to begin at the end: “Money lived happily ever after…reveling in its…
Judd Apatow has built and padded his filmography on a basic principle: construct vehicles for comic actors in the early days of their ascending stardom…
After a six month delay resulting from various media outlets labelling the film, sight unseen, as “dangerous Liberal propaganda,” Craig Zobel’s horror-comedy The Hunt finally…
There is a lot wrong with Onward, Pixar’s highly uninspired 22nd feature film. Its most surprising fault, though, is its complete lack of detail. Sure,…
From the 1933 original to Paul Verhoeven’s Hollow Man, the cinematic iterations of Invisible Men have generally dealt with how a lack of accountability tends…
The majority of American moviegoers probably have no idea that the new comedy Downhill is a remake of 2014’s French/Swedish co-production Force Majeure, directed by…
“I’m not in the mood to get probed today.” “You think you’re worried? I’m not even wearing pants!” And so goes the humor of Sonic…
Ostensibly a spinoff from 2016’s Suicide Squad, Birds of Prey wisely abandons most of that film’s macho swagger — and, much more pointedly, its iteration…