Nikolaus Geyrhalter’s latest is a rhythmic, matter-of-fact portrait of economic compromise. Nikolaus Geyrhalter’s Earth, from the outset, frames its massive landscapes as sites of continual…
VHYes is a wannabe absurdist curiosity but is instead an interminable viewing experience. Jack Henry Robbins’ VHYes is the kitschy, post-ironic, pseudo-found footage 80’s pastiche the world didn’t…
The shallow characterizations at the core of Les Misérables dampen the effect of its incendiary anger. Ladj Ly’s debut feature may be called Les Misérables,…
An experimental documentary of modest means and sweeping scale, Chinese Portrait offers a scintillating snapshot of a rapidly changing nation. Director Wang Xiaoshuai assembled the…
Seberg is just the latest film to signal its interest in issues of racial injustice, and progressive commentary, only to counterproductively build itself around the travails…
The films of Jessica Hausner can be maddeningly opaque, but obfuscation is a feature, not a bug. Her newest film, Little Joe, makes a fascinating double feature…
Winner of the Grand Jury Prize at the Sundance Film Festival, Chinonye Chukwu’s grim death row drama Clemency begins with a lethal injection gone wrong,…
There are fewer than 45 government-funded emergency ambulances in Mexico City — far from the sufficient number of vehicles needed to provide for the capital…
Beniamino Barrese’s The Disappearance of My Mother is a documentary portrait of Benedetta Barzini, the first Italian supermodel to appear on the cover of American…
It seems safe to assume that not a single person has ever asked for a dramatic take on 1991’s cult comedy Drop Dead Fred, in…
Light From Light is being billed as a paranormal ghost story, and while that description certainly isn’t untrue, it presents a conception far different from…
Of the many fictional characters Steve Bannon compares himself to in American Dharma — Col. Nicholson from The Bridge on the River Kwai and Falstaff from Chimes at Midnight —…
In an independent film scene that too often evinces a paucity of imagination, Feast of the Epiphany — directed by Reverse Shot editors Michael Koresky, Jeff Reichert, and staff writer Farihah Zaman — displays…
Naturally, there was quite a bit of excitement when it was announced that Terrence Malick would produce a documentary chronicling the life of Lil Peep,…
One day in November 1979, Philadelphian philanthropist and civil rights activist Marion Stokes felt a strange, deep-rooted fascination — this, while watching and following the…
The Body Remembers When the World Broke Open is a less garish film than its prolix title would suggest: instead, co-directors Elle-Máijá Tailfeathers and Kathleen Hepburn have actually delivered a determined…
China’s major animated film of 2019, White Snake, unsurprisingly, takes on the legend of its titular figure — which, roughly, tells the tale of a…
The Cave Since the Syrian Civil war began in 2011, there has been no shortage of documentaries about the plight of the nation’s people, the…
Ridley Scott’s Alien is celebrating its 40th anniversary, and so here comes Memory: The Origins of Alien. Part behind-the-scenes featurette, part essay film, one wishes…
François Ozon‘s latest jumps from the testimony of one character to the next, following the thread of its main subject: a priest’s sexual abuse of…