Ma Dong-seok has found his niche. Last summer brought us The Roundup, the sequel to Ma’s hit 2017 vehicle, The Outlaws, and here we…
There’s something rotten at the heart of the Mexican elite, so says writer-director Joaquin del Paso in his new film, The Hole in the…
One of the things that Rob Savage’s The Boogeyman has going for it is that it’s often too dark to see what’s happening. That’s…
In a famous 1960 piece for Cahiers du Cinema, titled “In Defense of Violence,” Michel Mourlet bluntly states: “Charlton Heston is an axiom. He…
Body doubles and deception have always been the fertile staples of romantic comedy — look no further than Shakespeare, who imbued such courtly antics…
The marketing for Ryan Stevens Harris’ debut feature film Moon Garden has been very careful to center the hand-crafted nature of the endeavor —…
There’s always at least a modicum of interest stirred up when well-known actors take a turn in the director’s chair. More often than not,…
What if you mixed Kiyoshi Kurosawa’s Cure with a little bit of Inception and topped it off with a dash of Firestarter? Sounds pretty…
There’s been no shortage of lamentation here at InRO about how the contemporary Hollywood studio system has mostly abandoned mid-range, mid-budget action movies in…
When Ria Khan (Priya Kansara) holds a kung fu stance, it has the effect of transforming the rich colors, the intricate design, and the…
Arriving just 70 seconds into the film, the inciting incident of Damián David Szifron’s To Catch a Killer might break some kind of informal…
Director Julius Avery’s The Pope’s Exorcist announces its particular tenor right from the opening scene, as Father Gabriele Amorth (Russell Crowe) arrives by moped…
The latest installment of the Evil Dead franchise, Evil Dead Rise, opens with a sequence that will be instantly recognizable to longtime fans of…
Joaquin Phoenix’s first scene in Beau Is Afraid takes place in his therapist’s office, setting the story in motion while also presenting a roadmap…
The hardest working man in show business, otherwise known as John Swab, is back with One Day as a Lion, the director’s third feature…
High-concept comedy Mafia Mamma comes courtesy of Catherine Hardwicke, a director who never met a potentially interesting premise she couldn’t sabotage with her bland…
Teenagers are awful — that’s an objective truth. Throw in a hefty dose of economic privilege, and you’ve got the recipe for some real…
Let’s start with a little personal history: when this reviewer caught the live-action adaptation of Norman Bridwell’s endearing giant canine in 2021’s Clifford the…