G.I. Joe: The Rise of Cobra is not a great movie. It’s not even a good movie. But we need a different set of aesthetic…
Orphan is a nasty, unpleasant movie, filled with predictable plot turns, one-dimensional characters, and some really lousy dialogue — but it’s also a lot of…
Should you shell out 10 clams to see Blood: The Last Vampire? Well, that depends on what you’re looking for. Solid acting, remotely believable dialogue,…
Drag Me to Hell has everything you could want from a movie of its title. This includes, but is not limited to, a vomiting corpse,…
I’m confused. Did I just watch a long con, an existential meltdown, or a roarin’ twenties period piece? Rian Johnson, director of The Brothers Bloom,…
State of Play has everything one would expect from a great political thriller: an all star cast, one of Hollywood’s hottest writers doing some of…
The International, the new thriller from director Tom Tykwer, could have been dismissed as an easy knee-jerk reaction to our current economic crisis, but the…
In Paul McGuigan’s dopey superhero techno-thriller, Push, the Asian mob bad guys’ superpower is screaming really loud. They would best be called “screamers,” but their…