In Tiger Stripes, Amanda Nell Eu’s debut feature, a trio of twelve-year-old girls contend with the sudden and inexplicable physical changes that occur inside…
Co-opting traditions as metaphors for the struggles of everyday life has always been cinema’s staple, either because these traditions romanticize the world or because…
There’s an immediate insecurity to The Watchers, the directorial debut from Ishana Night Shyamalan. Mina (Dakota Fanning), a flatly cynical American decamping in a…
In his seminal 1978 film Dawn of the Dead, George Romero takes a few minutes to detail the final gasps of a television station…
There is perhaps no genre more worked over, commented upon, or deconstructed than the slasher; that most basic of horror staples has engendered all…
Jean-Claude Van Damme, it’s been a minute, buddy. Van Damme’s last starring vehicle, the not-particularly-exciting but still charming The Last Mercenary, mostly survived on…
The story of The Strangers (2008) is simple: a couple (or family, in the case of 2018’s The Strangers: Prey at Night) will be…
The first onscreen image in Faceless After Dark (2023), is, perhaps in deliberate tension with the film’s title, a human face. It is bloodied,…
In light of the ongoing SAG strikes, this year’s TIFF featured a bevy of actor-directors, (generationally) ranging from Michael Keaton to Finn Wolfhard —…
Unfortunately, the current cinema landscape doesn’t allow for many straightforward genre films to slip through the cracks. Most that do are bogged down by…
It’s been an extremely productive year for director Jesse V. Johnson. Our premier DTV auteur has churned out three films in the last 13…
A tale of desperation and shared fates, of people hanging on to a life that is slipping away from them: two women, Elsa Gray…
Of all the John Wick knockoffs that I’ve seen over the last decade, Lee Thongkham’s Kitty the Killer is almost certainly the first one…
As a director, Jérémie Périn has made a splash in the realm of music videos, namely for his contribution to the song “Fantasy” by…
Four films into any series, you either change or die, and the copaganda finally outruns the action choreography in the fourth installment in The…
Moritz Mohr’s new frenetic action-comedy Boy Kills World feels critic-proof inasmuch as anything one might single out as a negative could very well be…
Boutique label Severin Films’ documentary Woodlands Dark and Days Bewitched — a supplement to their massive and beautiful box set of folk horror films…
What would Andrew Tate or the late Theodore J. Kaczynski make of Sasquatch Sunset? The litmus tests of this cinematic curio, which is more…