Two Lovers is the fourth feature from James Gray, whose efforts haven’t been unreservedly praised since his 1994 debut, Little Odessa, and who has been…
Essential to success within the medium of cinema is, of course, a film’s visual character, supplementing and even re-characterizing any narrative core. Jonathan Demme’s recent…
Awarded the Palm D’or at this year’s Cannes Film Festival, Laurent Cantet’s fluid and free-form drama, The Class, commits itself to the natural, unaffected representation…
When you try to conjure up an image of the holocaust, what comes to mind? Maybe Schindler’s List, The Pianist, The Diary of Anne Frank,…
Notorious gushes with admiration for a man who was unjustly taken from the world way before his time. Writers Reggie Rock Bythewood and Cheo Hodari…
Thor Freudenthal’s Hotel For Dogs, based very loosely on a 1971 children’s book of the same name, succeeds at doing exactly what it wants to…
Stephen Daldry’s new Holocaust picture is the sort of film often released around this time of year; sobering, sweeping and punctuated by swooping violins and…
Call Ari Folman’s Waltz With Bashir — a compendium of recollections and remembrances of an old man (Folman), concerning the massacre of Lebanese citizens in…
What Woody Allen just doesn’t seem to get anymore — overlooking the fact that his dialog is basically paraphrased versions of the same stuff he…