Easter Sunday is bad enough to make spending time with extended family start to seem appealing. A major studio releasing a film entitled Easter Sunday in…
This latest Ninja Turtles product is a narratively lazy and formally chaotic bit of empty IP. As long as one doesn’t stubbornly insist on a…
They/Them offers a surprisingly empathetic and graceful treatment of its LGBTQ-focused material, but its horror bona fides are more lacking. Blumhouse’s new slasher flick They/Them is…
This latest iteration of The Most Dangerous Game is nothing more than a shallow vehicle for bloodshed, and dull to boot. 1932’s The Most Dangerous Game,…
Bullet Train is an wholesale derailment, an inane, ’90s-styled crime caper built on comedy that isn’t funny and action that’s plagued by godawful execution. Early…
Prey doesn’t always hit high action points, but remains rousing late-summer entertainment largely on the strength of its intelligent and formally impressive setting switch-up. Almost exactly…
I Love My Dad employs a risky outsized gambit in telling its tale, but it thankfully registers as darkly hilarious and often poignant. It’s easy to…
An ill-conceived inertia plagues Memory Box, and its magical-sounding title only barely conceals the roteness of its center. In Sophy Romvari’s Still Processing, an intensely personal…
What Josiah Saw exhibits Grashaw’s considerable formal chops, but there’s an inherent silliness pestering its core and its ending undermines some of its power. The past…
Dark Glasses It’s been a rough couple of decades for Dario Argento. Once hailed as the “Master of Horror” for films like Deep Red (1975),…
Without the director’s name attached to the credits, and without Alain Chabat’s happily nonchalant presence gracing the screen, one might not recognize Incredible But True…
In Im Sang-soo’s Heaven: To the Land of Happiness, the money its pair of protagonists happen upon, no matter how welcome, has a rapidly depreciating…
Short films are particularly difficult to finesse into satisfying wholes. Often fashioned as simple calling cards, an attempt to show off technical specs or a…
Marcel the Shell isn’t a perfect film, but in expanding a 2010 Internet gimmick to humorous and heartfelt feature length, it proves surprisingly refined, and a…
There are pockets of interest to be found in Paradise Highway, but its mediocre mashup of genre and weak character work ensure that it never rises…
It’s perhaps become a moot point to invoke the shadow of Apichatpong Weerasethakul when talking about an emerging festival filmmaker’s work in the 21st century.…
Competitive speed stacking — a sport that involves stacking specially designed cups in predetermined sequences as quickly as possible — is the eccentric pastime at…
There’s one very well-executed scene in mainland Chinese indie director Geng Jun’s Manchurian Tiger: Ma Qianli (Jun regular Zhang Zhiyong), a one-time-successful real estate mogul…
Fifty years ago, Chen Kuan-tai stepped out from the background as an extra and stuntman in Chang Cheh’s stock company to take the lead role…
A wealthy man is deemed the prime suspect in the murder of a young woman after he is found in a hotel room with her…