Bodied ends with a needle drop: “Hi, My Name Is.” As explicated in our Kicking the Canon piece, Eminem sought to make a villain of himself on…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had directed…
The first shot is a marvel — a quiet, lovely reverie that ends with a punch to the gut. As a young couple walk hand in…
Imagine a script development meeting where everyone involved in making Aquaman sat down to solve one all-important question: “How do we make Aquaman cool?” Now imagine…
Skipping elliptically across 15 or so years in an economical 84 minutes, Pawel Pawlikowski’s Cold War tells of the tumultuous, postwar love affair between Wiktor…
It’s kind of hard to imagine that the multi-billion-dollar Transformers franchise has never previously leaned hard on nostalgia for the beloved ’80s toys and cartoon series…
Tired of superhero origin stories? Spider-Man: Into the Spider-Verse is here to fix that. The film’s nominal hero is Brooklyn teenager Miles Morales (Shameik Moore), who’s…
There’s a moment at the end of the first part of Dead Souls (roughly three hours into the film’s eight-hour runtime) when its director, Chinese…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…
Vox Lux, the second film from actor-turned-director Brady Corbet (after 2016’s The Childhood of a Leader), scans as a fruitless and embittered attack on pop…
Greek director Yorgos Lanthimos has developed quite a novel shtick: He sets up extremely schematic scenarios that force his characters into very bleak decisions as…
Although a bit of a scaling down from his previous tech-heavy outings, Alfonso Cuarón’s Roma is nothing if not a fully realized vision: a deeply felt…
Bridey Elliott casts her comedian-actress sister (Abby Elliott), her character-actor father (Chris Elliott), and herself as three members of a preening showbiz family. But the title role…
For the most part, Alice Rohrwacher’s third feature Happy as Lazzaro plays as yet another Italian working-class neorealist drama, this one focusing on the inhabitants…
A young woman, fed up with her life of toil and failed romance in the big city, returns to her family’s small farm in the…
A leading light of China’s Sixth Generation movement, Wang Xiaoshuai was at the vanguard of a 1990s cinema that dared to grapple with the immediate aftermath…
Dovlatov observes six days in the life of the eponymous Russian writer (here played by Milan Marić), beginning on November 1, 1971. That compressed timeline…
For Orson Welles aficionados, the director’s incomplete films have long been viewed as a kind of elusive dream — a parallel body of work to…
While it won the prestigious Palme d’Or at this year’s Cannes Film Festival, there’s nothing especially radical about Shoplifters that sets it apart from the other domestic…
Two years ago, we published Sion Sono: Love Leaves Destruction in Its Wake, an exhaustive review retrospective of nearly every feature film that Japanese filmmaker Sion Sono had…