The work of Parisian auteur Claire Denis has been cause célébre for many film critics over the last two decades. Her adoring supporters do backflips…
Japanese masters Yasujiro Ozu and Mikio Naruse (among others) tapped into a cathartic cinema that favors real-time pacing and treats sequences of a tree quivering…
Where do women fit in horror films? In a world dominated by Michael Myers, Leatherface, and Jigsaw, how can women identify with the onscreen action…
A VH1 programmer’s (wet) dream come true, It Might Get Loud assembles three generations of guitar gods under one roof, where they’ll talk shop, swap…
Adaptation is the medium of our time. For better or worse, appropriation has devolved from oxymoronic theories of postmodernism into a more practical mode of…
Bright Star, Jane Campion’s visually luscious period romance, tells the story of poet John Keats (impish British actor Ben Whishaw), and his immortalized love affair…
A web of tangled bare arms and legs, hands and feet and locked lips; this is the image in Alexis Dos Santos’ Unmade Beds that’s…
It’s with bitter irony that Mike Judge’s most mediocre offering gets the widest release. The man who made “TPS report” and “Ow! My balls!” common…
The moment an actor signs on to impersonate a well-known figure in a film is the moment that actor gives up any chance of delivering…
Demetri Martin is one of the best observational comedians. His relaxed yet sincere demeanor melds so perfectly with his dead-pan delivery, and his Comedy Central…
Rob Zombie’s die has been cast. In four pitches, he’s had a foul, a hit, and two huge strikes — an average that won’t put…
The summer movie blockbuster with half a brain, or the one that suggests its audience actually has one, is often revered like the one-eyed man…
Adored by geeks for his stylish violence, lauded by the arthouse for his immaculate camera, and beloved by many for his Vengeance Trilogy, South Korea’s…
Put a woman in jail and she is either a victim or a martyr. The brilliance of Argentinean director Pablo Trapero’s fifth feature film, Lion’s…
Chilean filmmaker Pablo Larraín’s darkly compelling second film, Tony Manero, is a sadistic character study set in 1978 Santiago. It’s unrelenting and often unpleasant to…
G.I. Joe: The Rise of Cobra is not a great movie. It’s not even a good movie. But we need a different set of aesthetic…
Lorna’s Silence, the latest award-winning film from Belgian brothers Jean-Pierre and Luc Dardenne, begs discussion. Its unresolved ending tends to have a polarizing effect on…
Orphan is a nasty, unpleasant movie, filled with predictable plot turns, one-dimensional characters, and some really lousy dialogue — but it’s also a lot of…
As the newly crowned king of adult comedies (not necessarily of the raunchy, R-rated variety, although that also applies), Judd Apatow has forged a career…
Modest Sundance hit The Answer Man is one of those films that seems to erase itself from your memory days after seeing it. It’s a hokey…