Post-apocalyptic visions in mainstream cinema usually serve a practical, introductory function, providing a digestible dose of world-building before plunging the audience into the crux of…
In Miguel Llansó’s latest, three young women fall under the strange spell of Dr. Mindfulness, whom they meet on a virtual reality dating app and…
It has become a somewhat common tactic for documentary filmmakers in the digital age to turn to the supercut as a way to sift through…
In his review for 7 Men from Now in Cahiers du Cinéma, Andre Bazin identified that like many of Budd Boetticher’s Westerns, this one has…
It’s not surprising that an artist with a career as shape-shifting and genre-defying as Brian Eno would balk at receiving the conventional documentary treatment. After…
Over the course of a single night, two couples trade psychic and physical blows over shared and shattered illusions about the business of connection in…
People tend to fall into two camps when asked about Everest: those who want to climb it, whether that be a serious goal or more…
Rarely has a NEON film so thoroughly lived up to the colorless and inert nature of the studio namesake as does Mothers’ Instinct, the directorial…
The Code If nothing else, Eugene Kotlyarenko is a filmmaker dedicated to understanding how we live with technology, and his greatest strength is a willingness…
Director Alexander J. Farrell’s The Beast Within opens with a quote about there “being two wolves inside each of us,” followed by a brief but…
Horror and comedy share much in common. Both are affect-driven genres that hinge on build-up and release while helping us navigate through cultural taboos. For…
In her 2019 memoir, In the Eye of the Wild, French anthropologist Nastassja Martin grapples with the aftermath of a near-fatal bear attack in the…
Allan Dwan’s happenstance journey into Hollywood is marked by a myriad of right time-right place encounters that allowed the young engineer to become one of…
Like an oak presiding over what came before and what might follow, Kier-La Janisse’s documentary study Woodlands Dark and Days Bewitched (2021) roots folk horror…
Conspicuously absent from the fall festival circuit, Fatih Akin’s Rhinegold bowed at the Filmfest Hamburg back in October 2022, and is only now getting a…
Seemingly willed into existence by hungry fans, the Deadpool movies may not have been great action films or even superhero installments, but at their best…
The Killers Between Wes Anderson’s The French Dispatch, the seemingly never-ending V/H/S franchise, and even Yorgos Lanthimos’ Kinds of Kindness, which premiered at the Cannes…
Between Wes Anderson’s The French Dispatch, the seemingly never-ending V/H/S franchise, and even Yorgos Lanthimos’ Kinds of Kindness, which premiered at the Cannes Film Festival…
Norris Wong’s first feature film, My Prince Edward, was one of the better Hong Kong indie movies of recent years. It starred singer/actress Stephy Tang…
“In the end, they swallowed up the nation as a whole.” The last lines of the epilogue intertitle of Kim Sung-soo’s 12:12: The Day roll…