Ah, just what 2024 moviegoers needed: another rural crime-thriller rumination on God, Family, and Violence. Red Right Hand, the latest from Ian and Eshom Nelms…
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We return to the year 10,191 for Dune: Part Two, the cleverly named second half of Denis Villeneuve’s adaptation of Frank Herbert’s seminal, beloved work…
In one way, horror fans have a lot to be happy about. Over the past decade, the genre has broken out of its “midnight movie”…
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The staff of In Review Online have come to the collective decision to abide by the international call from Strike Germany. We will be withholding…
In the AI-drenched bizarro world that is 2024, the premise of Michel Gondry’s Eternal Sunshine of the Spotless Mind, released 20 years ago this spring,…
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When first introduced in About Dry Grasses, Nuri Bilge Ceylan’s latest feature, Samet (Deniz Celiloğlu), an art teacher, has been in the remote village of…
Danis Tanović might be the most personal, visually compelling, and thematically thoughtful political auteur working in European cinema. And regrettably, his name will largely go…
The staff of In Review Online have come to the collective decision to abide by the international call from Strike Germany. We will be withholding…
The staff of In Review Online have come to the collective decision to abide by the international call from Strike Germany. We will be withholding…
In his critical study “Discourse and the Novel,” Russian literary theorist Mikhail Bakhtin described narrative fiction as a process by which individual characters are defined…
When it was released back in late 2021, Joel Coen’s The Tragedy of Macbeth, the director’s first feature film since the dissolution of the long,…
In the ongoing writing of the history of film, only a few summative propositions have ossified into matters of fact. The notion that the introduction…
Considering the wealth of nightmarish aesthetic possibilities, it’s difficult to understand why stop motion animation isn’t more heavily utilized within the realm of horror. Sure,…
The staff of In Review Online have come to the collective decision to abide by the international call from Strike Germany. We will be withholding…
The films of Antoine Bourges are measured by their restraint. Noted for their blurring of documentary and fiction, Bourges immerses himself in under-represented places at…
Matteo Garrone’s new film Io Capitano includes a map of the exact overland path taken by its two main characters during the end credits, charting the indirect route from Dakar to…
It seems that — at least in the past few years — a considerable number of films have proven their ability to manifest new sensibilities…