My Prince Edward is presided over by star Stephy Tang and director Norris Wong, both of whom reject schematism in favor of more subtle, surprising…
The Prom doesn’t offer much in the way of insight or novelty, but its glitz-and-glitter styling is a welcome confection at the end of 2020.…
Alex Wheatle is the slightest of the Small Axe films in many ways, but it’s also perhaps the most instructive as to the project’s overarching concerns. Having…
There is potential potency to the character work in A Family Tour, but the flat direction renders nearly every scene frustratingly inert. There’s no…
Detention recommends director John Hsu’s future efforts, but this debut effort falls mostly short of the mark. John Hsu’s debut feature Detention isn’t so much…
Red, White and Blue is incisive and deeply felt, but its conclusions don’t quite feel big enough for its format. Having now seen three of…
Despite its misguided ending, Let Them All Talk remains a refreshingly open-ended and low-stakes pleasure. In the past decade, Adam Sandler has been regularly…
Anything for Jackson successfully manages the tricky balancing act of melding early comedy into outright terror. As festival season has gone mostly digital this year,…
While perhaps slightly more superficial than a typical Morris, My Psychedelic Love Story is still another successful entry in the director’s continuing interrogation of late-1960s…
Mosul nails its action spectacle and kinetic foundation, but it is ultimately only able to conceive of its subject matter in war movie clichés. Yet…
With Lovers Rock, McQueen mostly turns down his directorial affectations and let’s the film’s beauty and joy act as guide. Steve McQueen has always been…
Happiest Season is trite, platitude-heavy Christmas offering that fails on nearly every front. Five years ago, when Todd Haynes’ Carol hit theaters, a moment was marked in…
In Wonder is an unfortunately empty, depthless bit of underwhelming, barely cinematic fan service. Who is Shawn Mendes? For anyone over the age of 25,…
Between the World in Me capitalizes on the power and poetry of Ta-Nehisi Coates’ words but contributes considerably less as a visual document. Published in…
Run could have been a bit of delightful trash but is instead a disaster of mismanaged tone. Let’s be very clear about one thing,…
Mangrove too often gets lost in its dusty courtroom formula, but it at least boasts a human center that contrasts with the film’s trial spectacle.…
Leap of Faith is a fascinating fireside-style docu-chat that affords William Friedkin the space to freeform story-tell. It’s a particular challenge (if not entirely futile…
Jingle Jangle is a deeply nonsensical and absolute blast of a Hallmark movie riff that quite simply needs to be watched. In its quest to…